“Maybe not, Bella,” he replied. “It is big, I’ll grant you that, and I
shouldn’t wonder if it was homely. But so far as that goes I’m big and
homely myself. It fits me and I like it. You can have all the fun you
want with the rest of the house; buy all the doodads and pictures and
images and story-books and trash that you’ve a mind to, but I want that
chair and I’m going to have it. A sitting-room is a place to sit in and
I mean to sit in comfort.”
“But it isn’t a sitting-room, Father,” urged Arabella. “It is a
library. I do wish you wouldn’t forget that.”
“All right. I don’t care what you call it, so long as you let me sit
in it the way I want to. That chair’s sold, young man,” he added,
addressing the attentive representative of the furniture house. “Now,
Mother, what’s the next item on the bill of lading?”
The leather chair came to the library of the Townsend mansion and its
purchaser had occupied it many, many afternoons and evenings since.
He was occupying it now, his bulky figure filling it to repletion and
his feet, of a size commensurate to the rest of him, resting upon an
upholstered foot-stool--a “cricket” he would have called it. A pair of
gold-rimmed spectacles were perched upon the big nose before his gray
eyes and the stump of a cigar was held tightly in the corner of his
wide, thin lipped, grimly humorous mouth. He was dressed in a dark blue
suit, wore a stiff-bosomed white shirt, a low “turn down” collar and
a black, ready-made bow tie. Below the tie, a diamond stud glittered
in the shirt bosom. His boots--he had them made for him by the village
shoe-maker--were of the, even then, old-fashioned, long-legged variety,
but their leather was of the softest and best obtainable. Upon the
third finger of his left hand--stubby, thick hands they were--another
diamond, set in a heavy gold ring, flashed as he turned the pages of
the paper. His hair was a dark brown and it and his shaggy brows and
clipped chin beard were sprinkled with gray.
There was another chair at the other side of the table, a
rocking-chair, upholstered in fashionable black haircloth and with a
lace “tidy” upon its back. That chair was empty. It had been empty for
nearly a month, since the day when Arabella Townsend was taken ill. It
was pathetically, hauntingly empty now, for she who had been accustomed
to occupy it was dead. A little more than a week had elapsed since her
funeral, an event concerning which Eben Wixon, the undertaker, has been
vaingloriously eloquent ever since.
Public-domain text, read in full here on John Shaqi.
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