The binding of the Nile and the new Soudan — John Shaqi
The binding of the Nile and the new SoudanPeel, Sidney Cornwallis
History
The binding of the Nile and the new Soudan
Peel, Sidney Cornwallis
Irrigation -- Egypt; Nile River; Sudan (Region)
It would perhaps have been more reasonable to perfect the irrigation
system of Lower Egypt, and to complete the Barrages entirely, before
embarking on new projects in Upper Egypt. But the temptation to
improve his own lands by simply calling out the corvée to dig canals
was too strong for Ismail; and, indeed, he was not the man to devote
himself to the carrying out of old projects to the exclusion of new
ones. In him the vigorous and practical originality of his grandfather
Mehemet appeared in the form of a fantastic imagination running
riot in all directions, unrestrained by the prosaic considerations
of time and means. Yet with able Ministers he might have been one
of the greatest of rulers. In spite of all the degradation which
his reckless extravagance brought on Egypt, the country owes him
something; for there was generally something great in his ideas,
and time is carrying many of them into effect. It is impossible not
to feel some admiration for the man who, when asked what gauge the
Soudan railway should be, replied, ‘Make it the same as that of
the railways in South Africa. It will save trouble in the end.’
CHAPTER IV
THE CULTURE OF THE FIELDS
It has already been explained that on the Nile berms or high banks,
which are covered by the flood only once in six or seven years, on
islands in the river, and on selected tracts within the basins in the
neighbourhood of wells, it has been the immemorial custom to lift
water on to the fields. Everywhere the two primitive instruments
of ancient Egypt are in common use to-day—the shadoof and the
sakieh. The shadoof is a long pole balanced on a support. From
one end of it is suspended a bucket, and from the other a heavy
counterpoise, equal in weight to the bucket when full of water. The
bucket is made of various materials, very often leather, though
the ordinary kerosene-oil tin of commerce is making its presence
felt here as elsewhere. The shadoof is worked by hand. The bucket
is pulled down into the water, then lifted up by the help of the
counterpoise, and its contents are tipped over into the channel
leading to the cultivated land, where the water is steered by means
of miniature canals and dams into the required direction. I suppose
there could not be a simpler form of unskilled labour than working
the shadoof. Whenever I think of the fellah of Upper Egypt, I think
of the shadoof. Up and down, creak and splash, hour after hour,
day after day, he goes on lifting and tilting, with an amazing and
monotonous regularity. Nothing disturbs him—not even a steamer
grounded on a sand-bank twenty yards in front of him. As he stands,
naked except for a loin-cloth of blue cotton, with his absolutely
dull, impassive features, his magnificent chest and arms but weak
legs, you cannot help wondering which came first, the shadoof or
the shadoof-man, so perfectly are they adapted to each other. Two
Public-domain text, read in full here on John Shaqi.
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