Husband and wife -- Fiction; Man-woman relationships -- Fiction
Here and there about the wreck vestiges of paint appeared, and a faint
assemblage of letters formed the name _Defender_ on what had been the
prow. This paint Rachel brought to temporary brightness by rubbing it
with a corner of her apron dipped in sea water. The sand that clogged
the ribs of the wreck she removed daily with a shovel. In brief, no
waning sovereign, already in the clutch of death could have been waited
upon by a trusty handmaiden with more patience and love. In her day
she had sailed many a stormy sea, that ship, and without doubt had made
many a difficult port; but now in the days of her nothingness to be
loved with a love passing that of sailor or captain (for in such
affection there is ever something of the seaman's pride in the
capabilities of his craft), to be loved, forsooth, with a deep feminine
tenderness,--surely, if comfort were possible to those broken bolts and
spars, the wreck was comforted. And, testifying to the gallantry
inherent in every timber, all that remained of her responded to the
thrill of the child's spirit. It was as if the wreck heard commands
summoning her to deeds of spiritual daring. The stumps of her masts
she lifted to the sky with an air of defiance, she resisted the
encroachments of the sand; and in the upward sweep of her lines toward
her broken bow, there was indomitable courage and pride invincible.
Valour answered valour and the sun shone gently on the incongruous
playmates, on the wreck whose earthly voyages were over, and on the
child whose life's journey had scarcely begun.
For the figure-head, Rachel entertained a somewhat different sentiment.
It was evidently a bit of German carving, and represented a robust
goddess with face lifted to the sky. Full waves of hair blew back from
the face; the chin was gone, the nose was gone, but in the gaze of the
eyes was blank, unquestioning triumph. She was clad in swirling
drapery and a breastplate of overlapping scales, and in the one arm
that remained to her she carried a sceptre tipped with a diminutive
crown. Rachel admired the way the figure-head stood proudly erect,
even strained backwards, and sometimes grasping a stick, she paced the
sands in grotesque imitation of the wooden woman. But more often she
sat before her lost in silent contemplation. She saw her fastened to
the prow of a vessel, "great-kneed, deep-breasted," with lips and eyes
stung by the spray; she saw her bowing deep into the trough of a wave,
her gaze as she sank still intrepidly lifted to heaven; and she saw her
rise again, dripping, all gilded by the light of the sun. The
exhilaration of life and hope were still in the figure-head, wrought
into her with the carving, it would seem, and these qualities her later
experience in the brine had heightened to a kind of glory, so that now,
unmindful that she was stranded, she stared out at the dawns and the
evenings and the far-away twinkling stars with the same undaunted look
of conquest.
Public-domain text, read in full here on John Shaqi.
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