Rachel would eye them gloomily: then, flinging herself down, she would observe the various forms of life in the little pools of water where floated crabs and jellyfish. In the prominent eyes of the crab she saw the desire for its prey. Looking upward, attracted by the sinister screech of gulls, she saw them fluttering about the nest of a sanderling which they pillaged of its eggs. Letting her glance fall again she studied the little bell-shaped barnacles, like tiny huts, which everywhere adhered to the rocks in settlements. As the water approached, one after another of the doors of these wee huts opened and a hand, vaporish, white as light, reached forth and gathered in the necessary provender. Everywhere, everything received what it needed to sustain life. She alone was starved. With these thoughts surging in her brain, Rachel would make her way back to the barn. There, with cheeks puffed out, stooping over his work, she would find André. One day when she entered the barn he greeted her with a gleeful announcement: he had sold five little shells and one big one during her absence. She turned away. She had often watched the faces of the summer people: they bought the shells out of pity for André, or perhaps, because they admired his handsome face. As art, she suspected, the shells were nothing. Why could he not see? "You have no ambition," she said surlily, "there are schools where one can learn to do this sort of thing, I suppose. You ought to want to get away and study." Amazed, he looked up at her. "But the shells sell all right," he remarked. "I paint well enough for that." She made no answer and sparks of some sort glowed in her eyes. She shook her head at him. "You're just like a barnacle," she cried passionately, "_it_ clings to a rock, _it_ lives in a corner; everyday when the tide comes in, _it_ opens its door and gathers in food. In the same way every morning you wait for the city people. You open your door, you reach out your hand--like this, and you take in the pennies. Bah! is that enough for you?" "Well, isn't it?" he asked, and in his eyes, as he looked at her, dawned a certain yearning softness. But she turned away. "Then stay on your rock," she flashed out; "I want more." He came up to her and laid his hand on her arm. "What do you want?" he asked. She looked at him and seeing tears in his eyes, she turned away sullenly. "I don't know," she answered, "but I want life--more'n what the sea brings me." Then suddenly she broke from him and darted into the twilight. CHAPTER VI THE FIGURE-HEAD GAINS AN ADMIRER The field where old David put the cows to pasture lay a comparatively short distance from the house, in the direction of the bay. But Rachel, leading a large white cow by a rope, had elected to go round by "the barn." "Come along, Betty," she cried, as she turned into the main road dragging the surprised animal after her.