remains of small _Coleoptera_, intermingled with the fibres of the roots
of what appeared to be a parasitic plant, such as would be found in
decayed and hollow trees. The whole contour of the bird shows that it is
not formed for extensive flight or for performing those rapid evolutions
that are necessary for the capture of its prey in the air, the wing
being short and concave in comparison with those of the true aërial
Nightjars, and particularly with the Australian form to which I have
given the name of _Eurostopodus_.
Of its mode of nidification I can speak with confidence, having seen
many pairs breeding during my rambles in the woods. It makes a
slightly-constructed flat nest of sticks carelessly interwoven together,
and placed at the fork of a horizontal branch of sufficient size to
ensure its safety; the tree most frequently chosen is an _Eucalyptus_,
but I have occasionally seen the nest on an Apple-tree (_Angophora_) or
a Swamp-Oak (_Casuarina_). In every instance one of the birds was
sitting on the eggs and the other perched on a neighbouring bough, both
invariably asleep; that the male participates in the duty of incubation
I ascertained by having accidentally shot a bird on the nest without
being aware it was so occupied, which on dissection proved to be a male.
The eggs are generally two in number, of a beautiful immaculate white,
and of a long oval form, one inch and ten lines in length by one inch
and three lines in diameter.
The sexes so closely resemble each other both in size and plumage, that
a separate description is unnecessary. Like the other species of the
genus, it is subject to considerable variation in its colouring; the
young, which assume the adult livery at an early age, being somewhat
darker in all their markings.
The night-call of this species is a loud hoarse noise, consisting of two
distinct sounds, which cannot be correctly described.
The stomach is thick and muscular, and is lined with a thick hair-like
substance like that of the Common Cuckoo.
Public-domain text, read in full here on John Shaqi.
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