Birds in literature; Shakespeare, William, 1564-1616 -- Knowledge -- Ornithology
On every bough the briddes herde I singe
With voys of aungel in hir armonye.[3]
Again, in his quaint and humorous verses on the _Cuckow and the
Nightingale_, the poet transports us into the very heart of the woods
to hear a discourse between these two harbingers of summer. For the
nightingale he had a fondness which is lovingly expressed in the
_Flower and the Leaf_, where we find the picture of a woodland of oaks
whose new leaves
Sprongen out ayein the sonne shene,
Some very rede, and some a glad light grene;
Which, as me thought, was right a plesaunt sight,
And eek the briddes songes for to here
Would have rejoised any erthly wight;
And I, that couth not yet, in no manere,
Here the Nightingale of al the yeare,
Ful busily herkned with herte and ere,
If I her voice perceive coud any-where.[4]
This simple delight in the voices of the birds, so prominent in the
poems of the author of the _Canterbury Tales_, was maintained among
his successors in English poetry. By Elizabethan times, however, it
had become enlarged and enriched by the growth of a more observant and
contemplative habit. The spontaneous and irresistible joy of the human
soul in the varied beauty of Nature, and not least in the bird-music
of the fields and woods, is as marked in Shakespeare’s works as it
was in those of Chaucer; but it is now combined with more thought
and reflection. The appreciation of life in all its divers forms has
grown closer, more sympathetic and more intimately linked with human
experience.
[Sidenote: _Surroundings of his Boyhood_]
Shakespeare had the good fortune to be born in one of the pleasantest
and most varied districts of England, in the midst of fields and
gardens, as well as wide tracts of woodland and heath, among sturdy
farmer-folk, and simple peasantry. The face of open Nature lay spread
out around him, and his earliest poems bear witness to the range
and acuteness of his faculty of observation amid the fields and
forests, the beasts and birds of his home. The extent and accuracy
of his acquaintance with law have been claimed as proof that he had
passed through some legal training. There is sounder evidence that
his remarkable familiarity with objects of natural history could not
have been derived at secondhand from books, but was acquired from his
own personal observation. His youthful surroundings in Warwickshire
furnished him with ample opportunity of acquiring and cultivating this
knowledge. Nor should it be forgotten that the London in which he
spent the active years of his middle life, was a comparatively small
town. Open country lay within a short walking distance from any part
of it. Heaths and woodlands, with all their riches of animal life,
extended almost up to its outskirts. So that even in the height of his
busy theatrical career the dramatist could easily, at any interval of
leisure, renew his acquaintance with the face of Nature which he dearly
loved.
Public-domain text, read in full here on John Shaqi.
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