[153]Fig. 29, a relief from the Old Kingdom, shows, in the upper register, the harvesters with their sickles; on the extreme left is an overseer; the third figure from the left plays a long pipe, while his companion sings, holding the side of his face, as oriental singers do to this day. In the second register donkeys are brought to carry the harvest home. The register below shows various incidents in the transport; the bottom register shows how the sheaves are stacked. [154]Fig. 30, a wall painting from the New Kingdom, is best “read” from the bottom upwards. At the left bottom corner teams of oxen draw ploughs, while sowers, holding a bag with seeds, sprinkle the grain with uplifted hands. Farther to the right men are shown breaking the ground with hoes. Behind the three of them shown on the right we see a girl drawing a thorn out of the foot of her friend. The second register from below shows the grain being cut—one of the labourers takes a swig from a water jar handed him by a girl who stands in front, a basket hanging from her shoulder. Farther to the right the grain is carried away in hampers (underneath one of these, two girl gleaners are fighting and tearing each other’s hair); and, on the far right, it is forked out in readiness for threshing. The threshing is done by bullocks who trample the grain—this is shown at the extreme right of the third register from below. To the left women winnow the grain, their hair wrapped in white cloth against the dust. The tomb owner watches in a kiosk and receives two water jars. Behind the kiosk squat the scribes who note the yield of the harvest while the grain is shovelled into heaps. The upper register shows the deceased in his function as “Scribe of the fields of the Lord of the Two Lands.” On the left are shown a group of his officials, dressed in white, pencase in hand, busy measuring the grain on the stalk; their attendants (with bare bodies) hold the measuring cord. A peasant (followed by his wife who carries a basket on her head with further gifts) offers something to the tax officials, to propitiate them. But on the right, before the kiosk of the tomb owner and near the mooring-place of the boat which brought his subordinates to the scene, a peasant, who apparently defaulted, is beaten, while another kneels and prays for grace. [155]“The Eloquent Peasant” is a tale of such an appeal. See _Journal of Egyptian Archaeology_, IX (1923), 7 ff., and a short discussion in my _Ancient Egyptian Religion_, 46, 146-50. For the conception of _maat_, _ibid._, 49-58. [156]For a detailed discussion of the building of the pyramids, see I. E. S. Edwards, _The Pyramids of Egypt_, Pelican Books, chapter vii.