Shakespeare, William, 1564-1616 -- Homes and haunts -- England -- Stratford-upon-Avon -- Fiction
"It's only that I'm excited, awfully excited--as I don't see how one can't
be. You wouldn't have a fellow drop into this berth as into an appointment
at the Post Office. Here on the spot it goes to my head--how can that be
helped? But we shall live into it, and perhaps," he said with an
implication of the other possibility that was doubtless but part of his
fine ecstasy, "we shall live through it." The place acted on his
imagination--how, surely, shouldn't it? And his imagination acted on his
nerves, and these things together, with the general vividness and the new
and complete immersion, made rest for him almost impossible, so that he
could scarce go to bed at night and even during the first week more than
once rose in the small hours to move about, up and down, with his
lamp--standing, sitting, listening, wondering, in the stillness, as if
positively to recover some echo, to surprise some secret, of the _genius
loci_. He couldn't have explained it--and didn't in fact need to explain
it, at least to himself, since the impulse simply held him and shook him;
but the time after closing, the time above all after the people--Them, as
he felt himself on the way habitually to put it, predominant, insistent,
all in the foreground--brought him, or ought to have brought him, he seemed
to see, nearer to the enshrined Presence, enlarging the opportunity for
communion and intensifying the sense of it. These nightly prowls, as he
called them, were disquieting to his wife, who had no disposition to share
in them, speaking with decision of the whole place as just the place to be
forbidding after dark. She rejoiced in the distinctness, contiguous though
it was, of their own little residence, where she trimmed the lamp and
stirred the fire and heard the kettle sing, repairing the while the
omissions of the small domestic who slept out; she foresaw her self, with
some promptness, drawing rather sharply the line between her own precinct
and that in which the great spirit might walk. It would be with them, the
great spirit, all day--even if indeed on her making that remark, and in
just that form, to her husband, he replied with a queer "But will he
though?" And she vaguely imaged the development of a domestic antidote
after a while, precisely, in the shape of curtains more markedly drawn and
everything most modern and lively, tea, "patterns," the newspapers, the
female fiction itself that they had reacted against at Blackport, quite
defiantly cultivated.
Public-domain text, read in full here on John Shaqi.
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