Shakespeare, William, 1564-1616 -- Homes and haunts -- England -- Stratford-upon-Avon -- Fiction
She had for a long time said nothing to him so straight--which was but a proof
of her real anxiety; the straightness of Grant-Jackson's visit, following on the
very slight sinuosity of a note shortly before received from him, made tension
show for what it was. By this time, really, however, his decision had been
taken; the minutes elapsing between his reappearance at the domestic fireside
and his having, from the other threshold, seen Grant-Jackson's broad well-fitted
back, the back of a banker and a patriot, move away, had, though few, presented
themselves to him as supremely critical. They formed, as it were, the hinge of
his door, that door actually ajar so as to show him a possible fate beyond it,
but which, with his hand, in a spasm, thus tightening on the knob, he might
either open wide or close partly or altogether. He stood at autumn dusk in the
little museum that constituted the vestibule of the temple, and there, as with a
concentrated push at the crank of a windlass, he brought himself round. The
portraits on the walls seemed vaguely to watch for it; it was in their august
presence--kept dimly august for the moment by Grant-Jackson's impressive check
of his application of a match to the vulgar gas--that the great man had uttered,
as if it said all, his "You know, my dear fellow, really----!" He had managed it
with the special tact of a fat man, always, when there _was_ any, very fine;
he had got the most out of the time, the place, the setting, all the little
massed admonitions and symbols; confronted there with his victim on the spot
that he took occasion to name afresh as, to _his_ piety and patriotism, the most
sacred on earth, he had given it to be understood that in the first place he was
lost in amazement and that in the second he expected a single warning now to
suffice. Not to insist too much moreover on the question of gratitude, he would
let his remonstrance rest, if need be, solely on the question of taste. _As_ a
matter of taste alone----! But he was surely not to be obliged to follow that
up. Poor Gedge indeed would have been sorry to oblige him, for he saw it was
exactly to the atrocious taste of unthankfulness the allusion was made. When he
said he wouldn't dwell on what the fortunate occupant of the post owed him for
the stout battle originally fought on his behalf, he simply meant he _would_.
That was his tact--which, with everything else that has been mentioned, in the
scene, to help, really had the ground to itself. The day _had_ been when Gedge
couldn't have thanked him enough--though he had thanked him, he considered,
almost fulsomely--and nothing, nothing that he could coherently or reputably
name, had happened since then. From the moment he was pulled up, in short, he
had no case, and if he exhibited, instead of one, only hot tears in his eyes,
the mystic gloom of the temple either prevented his friend from seeing them or
rendered it possible that they stood for remorse. He had dried them, with the
Public-domain text, read in full here on John Shaqi.
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