The Bishop and Other StoriesChekhov, Anton Pavlovich
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The Bishop and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
I had no sooner taken a place, when a wave rushed from in front and
forced me back. A tall thick-set deacon walked before me with a
long red candle; the grey-headed archimandrite in his golden mitre
hurried after him with the censer. When they had vanished from sight
the crowd squeezed me back to my former position. But ten minutes
had not passed before a new wave burst on me, and again the deacon
appeared. This time he was followed by the Father Sub-Prior, the
man who, as Ieronim had told me, was writing the history of the
monastery.
As I mingled with the crowd and caught the infection of the universal
joyful excitement, I felt unbearably sore on Ieronim's account. Why
did they not send someone to relieve him? Why could not someone of
less feeling and less susceptibility go on the ferry? 'Lift up thine
eyes, O Sion, and look around,' they sang in the choir, 'for thy
children have come to thee as to a beacon of divine light from north
and south, and from east and from the sea. . . .'
I looked at the faces; they all had a lively expression of triumph,
but not one was listening to what was being sung and taking it in,
and not one was 'holding his breath.' Why was not Ieronim released?
I could fancy Ieronim standing meekly somewhere by the wall, bending
forward and hungrily drinking in the beauty of the holy phrase. All
this that glided by the ears of the people standing by me he would
have eagerly drunk in with his delicately sensitive soul, and would
have been spell-bound to ecstasy, to holding his breath, and there
would not have been a man happier than he in all the church. Now
he was plying to and fro over the dark river and grieving for his
dead friend and brother.
The wave surged back. A stout smiling monk, playing with his rosary
and looking round behind him, squeezed sideways by me, making way
for a lady in a hat and velvet cloak. A monastery servant hurried
after the lady, holding a chair over our heads.
I came out of the church. I wanted to have a look at the dead
Nikolay, the unknown canticle writer. I walked about the monastery
wall, where there was a row of cells, peeped into several windows,
and, seeing nothing, came back again. I do not regret now that I
did not see Nikolay; God knows, perhaps if I had seen him I should
have lost the picture my imagination paints for me now. I imagine
the lovable poetical figure solitary and not understood, who went
out at nights to call to Ieronim over the water, and filled his
hymns with flowers, stars and sunbeams, as a pale timid man with
soft mild melancholy features. His eyes must have shone, not only
with intelligence, but with kindly tenderness and that hardly
restrained childlike enthusiasm which I could hear in Ieronim's
voice when he quoted to me passages from the hymns.
Public-domain text, read in full here on John Shaqi.
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