China -- History -- 20th century -- Fiction; Missionaries, Medical -- Fiction
THE BITTER TEA
OF GENERAL YEN
by
GRACE ZARING STONE
Author of
The Heaven and Earth of Doña Elena
Illustrated by
Barbara Macfarlane
THE BOBBS-MERRILL COMPANY
Publishers * Indianapolis
[Illustration: Title page]
COPYRIGHT, 1930
BY GRACE ZARING STONE
Printed in the United States of America
PRESS OF
BRAUNWORTH & CO., INC.
BOOK MANUFACTURERS
BROOKLYN, N. Y.
To
ELEANOR
Who was grown up when necessary
[Illustration: Chapter I headpiece]
THE BITTER TEA
OF
GENERAL YEN
CHAPTER I
Megan, drawing her chair over to the window, saw that the rain had
given an air of transcience to the solid Chinese earth. For the
moment it had stopped raining and all the pools reflected cloudy sky,
making the roadway an unsubstantial track over emptiness; willow
trees hanging over a wall at the far side of the road were silvered
and delicate with moisture, and even the brutal fact of barbed-wire
entanglements stretching along the foot of the wall was tempered by
the fragility of tremulous drops. She had been told that the
barbed-wire entanglements bounded the French Concession and that
farther to the left the opening in the barricade marked the entrance
to the Avenue Joffre, one of the chief thoroughfares of the
Concession.
A French non-commissioned officer and several Senegalese soldiers
stood at the entrance and examined, bored but relentless, all the
traffic going in and out. All afternoon, in spite of bad weather,
there had been a straggling passage of motors, rickshaws,
wheelbarrows, and Chinese men in long black skirts, holding large
umbrellas, fastidiously picking their way among the puddles. Megan
since her arrival in the house, while talking to the Jacksons and
when they had gone, unpacking, directing the amah's pressing, was
always conscious of the windows. In the dimness of the European
house those gray windows opened strangely on to the Chinese road.
She was more and more conscious of them as she did various small
things that had to be done, longing to possess them undisturbed, and
when finally she drew up a chair in the little drawing-room and
rested her elbows on the sill, she looked out at that moment when
China, washed in a luminous impermanency, presented itself to her not
with the dull impact of a solid fact but with the peculiar intensity
of a vision seen partly from within.
Public-domain text, read in full here on John Shaqi.
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