The Black Baronet; or, The Chronicles Of Ballytrain: The Works of William Carleton, Volume OneCarleton, William
General
The Black Baronet; or, The Chronicles Of Ballytrain: The Works of William Carleton, Volume One
Carleton, William
Ireland -- Social life and customs -- Fiction
The lackey bowed and withdrew, and, in the course of a few minutes, his
daughter entered the study, and stood before him. At the first
glance, she saw that something had discomposed him, and felt a kind of
instinctive impression that it was more or less connected with herself.
Seldom, indeed, was such a contrast between man and woman ever
witnessed, as that which presented itself on this occasion. There
stood the large, ungainly, almost misshapen father, with a countenance
distorted, by the consequences of ill-suppressed passion, into a deeper
deformity--a deformity that was rendered ludicrously hideous, by a
squint that gave, as we have said, to one of his eyes, as he looked at
her, the almost literal expression of a dagger. Before him, on the other
hand, stood a girl, whose stature was above the middle height, with a
form that breathed of elegance, ease, and that exquisite grace
which marks every look, and word, and motion of the high-minded and
accomplished lady. Indeed, one would imagine that her appearance would
have soothed and tranquillized the anger of any parent capable of
feeling that glowing and prideful tenderness, with which such an
exquisitely beautiful creature was calculated to fill a parent's heart.
Lucy Gourlay was a dark beauty--a brunette so richly tinted, that the
glow of her cheek was only surpassed by the flashing brilliancy of her
large, dark eyes, that seemed, in those glorious manifestations, to
kindle with inspiration. Her forehead was eminently intellectual, and
her general temperament--Celtic by the mother's side--was remarkable
for those fascinating transitions of spirit which passed over her
countenance like the gloom and sunshine of the early summer. Nothing
could be more delightful, nor, at the same time, more dangerous, than to
watch that countenance whilst moving under the influence of melancholy,
and to observe how quickly the depths of feeling, or the impulses of
tenderness, threw their delicious shadows into its expression--unless,
indeed, to watch the same face when lit up by humor, and animated into
radiance by mirth. Such is a faint outline of Lucy Gourlay, who, whether
in shadow or whether in light, was equally captivating and irresistible.
On entering the room, her father, incapable of appreciating even the
natural graced and beauty of her person, looked at her with a gaze of
sternness and inquiry for some moments, but seemed at a loss in what
terms to address her. She, however, spoke first, simply saying:
“Has anything discomposed you, papa?”
“I have been discomposed, Miss Gourlay”--for he seldom addressed her as
Lucy--“and I wish to have some serious conversation with you. Pray be
seated.”
Lucy sat.
“I trust, Miss Gourlay,” he proceeded, in a style partly interrogatory
and partly didactic--“I trust you are perfectly sensible that a child
like you owes full and unlimited obedience to her parents.”
Public-domain text, read in full here on John Shaqi.
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