Because he kept the dog there, and because he was happy in Mrs Moseley’s
society, Abner made her cottage his real home. It stood last in one of a
series of parallel streets that climbed desperately out of the dust of
the Stourton Road towards a low crest facing Uffdown and the other hills
of its chain. The lower story looked out on a wall of the local blue
brick; but the windows of the bedroom, a stuffy chamber in which the
widow spent the greater part of her day, and which the district nurse
penetrated every morning in a whiff of iodoform for the purpose of
dressing Mrs Moseley’s bad leg, commanded, beyond a foreground of
cinder-waste, blue distances from which the hill air could have blown in
cleanly. The doctor had told Mrs Moseley that her leg would never heal
unless she gave it rest, and since all her relatives were now married and
too prosperous to give the old woman a thought, she was left to herself,
hobbling from the bedroom to the kitchen whenever it was necessary to
bank up the fire. On the hob stood a teapot, brewing a decoction of
tannin which had long since ruined her digestion but was the thing for
which she cared most in life. She called it her ‘cup of tea.’
Abner rarely noticed what an effort she made to receive him cheerfully
when he came for his dog. He didn’t see how slow and painful her
movements were becoming. She never seemed to him any different from the
Mrs Moseley whom he had always known and taken for granted, until, one
day, she was put to bed and forbidden to move at all. She had spent the
whole morning crying to herself, for it seemed to her that the day was
not distant when she would have to be moved to Stourton workhouse, to be
carried downstairs and placed in the black van before a crowd of gaping
neighbours, dirty women with babies in their arms. She had always been
shy of the people who lived near her. A country woman, she felt out of
place with these industrial folk. She wished very much that she might
die.
Public-domain text, read in full here on John Shaqi.
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