They spent most of their evenings together while John Fellows was down at
the Royal Oak and the baby placidly sleeping in its cradle. They were
the happiest of Alice’s life, for they realised all her ideals of what
domesticity should be. The little room was cheerful with firelight and
always warm, for John Fellows had the privilege of buying coal for next
to nothing at the pit. On the table she used to spread a cloth of bright
red chequers. A lamp in the middle of it cast a mild and homely light.
Alice would sit on one side of the fire, knitting woollen vests for the
baby or mending the men’s clothes. She sat in her rocking chair,
enthroned with content, glancing from time to time at the sleeping baby,
at the shining brass, on which she particularly prided herself, at all
the tokens of comfort with which she was surrounded. The door of Number
Eleven was ill-made or warped with age so that a draught blew in beneath
it towards the fire; but Abner had arranged a curtain of red rep on a
running string above it, so that the draught was not felt and the swaying
of the curtain only emphasised the contrast between the winter without
and that glowing cosiness within. All these things that surrounded her
were her own, her world. She would not have changed one of them. The
glances that she gave to them were proprietary and richly satisfied.
Sometimes, in the same way, she would let her eyes fall on Abner: a big,
loose-limbed fellow, over six feet high, with the closely cropped hair of
the footballer and a yellow moustache. In the evenings at home he wore
no collar and the firelight played on his powerful neck and lit the fair
down on his arm when he sat in his shirtsleeves. Even with him her
glance was proprietary. He also belonged to her, and she mended his
clothes with the same delight and devotion that she experienced in making
the ridiculous garments of her son. She rejoiced in his beauty and in
his strength. Perhaps, sometimes, the physical comparison that he
suggested with John Fellows made her admiration more poignant.
Public-domain text, read in full here on John Shaqi.
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