The Black Dog, and Other StoriesCoppard, A. E. (Alfred Edgar)
General
The Black Dog, and Other Stories
Coppard, A. E. (Alfred Edgar)
England -- Social life and customs -- 20th century -- Fiction; Short stories, English
“Then Gerald can have the spare room. It’s all wainscot and painted
dark blue. It’s a shrimp of a room, but there’s a preserved albatross
in a glass case as big as a van.”
“I make no doubt about that,” chimed in her father, straightening
himself and scratching his chin uneasily, “you must talk to Lizzie.”
“Splendid!” said Gerald to Orianda, “I’ve never seen an albatross.”
“We’ll ask Lizzie,” said she, “at once.”
Loughlin was experiencing not a little inward distress at this turn in
the affair, but it was he who had brought Orianda to her home, and he
would have to go through with the horrid business.
“Is she difficult, father?”
“No, she’s not difficult, not difficult, so to say, you must make
allowance.”
The girl was implacable. Her directness almost froze the blood of the
Hon. Loughlin.
“Are you fond of her. How long has she been here?”
“O, a goodish while, yes, let me see—no, she’s not difficult, if that’s
what you mean—three years, perhaps.”
“Well, but that’s long enough!”
(Long enough for what—wondered Loughlin?)
“Yes, it is longish.”
“If you really want to get rid of her you could tell her ...”
“Tell her what?”
“You know what to tell her!”
But her father looked bewildered and professed his ignorance.
“Take me in to her,” said Orianda, and they all walked across to “The
Black Dog.” There was no one within; father and daughter went into
the garden while Gerald stayed behind in a small parlour. Through the
window that looked upon a grass plot he could see a woman sitting in a
deck chair under a tree. Her face was turned away so that he saw only
a curve of pink cheek and a thin mound of fair hair tossed and untidy.
Lizzie’s large red fingers were slipping a sprig of watercress into a
mouth that was hidden round the corner of the curve. With her other
hand she was caressing a large brown hen that sat on her lap. Her black
skirt wrapped her limbs tightly, a round hip and a thigh being rigidly
outlined, while the blouse of figured cotton also seemed strained upon
her buxom breast, for it was torn and split in places. She had strong
white arms and holes in her stockings. When she turned to confront the
others it was easy to see that she was a foolish, untidy, but still a
rather pleasant woman of about thirty.
“How do you do, Lizzie?” cried Orianda, offering a cordial hand. The
hen fluttered away as, smiling a little wanly, the woman rose.
“Who is it, ’Thaniel?” she asked.
Loughlin heard no more, for some men came noisily into the bar and
Crabbe hurried back to serve them.
III
In the afternoon Orianda drove Gerald in the gig back to the station to
fetch the baggage.
“Well, what success, Orianda?” he asked as they jogged along.
“It would be perfect but for Lizzie—that _was_ rather a blow. But
I should have foreseen her—Lizzies are inevitable. And she _is_
difficult—she weeps. But, O I am glad to be home again. Gerald, I feel
I shall not leave it, ever.”
Public-domain text, read in full here on John Shaqi.
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