The Black Dog, and Other StoriesCoppard, A. E. (Alfred Edgar)
General
The Black Dog, and Other Stories
Coppard, A. E. (Alfred Edgar)
England -- Social life and customs -- 20th century -- Fiction; Short stories, English
Then it was that Loughlin’s soul discovered to him a mass of
feelings—fine sympathy, futile sentiment, a passion for righteousness,
morbid regrets—from which a tragic bias was born. After the dread
ordeal of the inquest, which gave a passive verdict of Found Drowned,
it was not possible for him to stem this disloyal tendency of his mind.
It laid that drowned figure accusatively at the feet of his beloved
girl, and no argument or sophistry could disperse the venal savour that
clung to the house of “The Black Dog.” “To analyse or assess a person’s
failings or deficiencies,” he declared to himself, “is useless, not
because such blemishes are immovable, but because they affect the mass
of beholders in divers ways. Different minds perceive utterly variant
figures in the same being. To Brown Robinson is a hero, to Jones a
snob, to Smith a fool. Who then is right? You are lucky if you can put
your miserable self in relation at an angle where your own deficiencies
are submerged or minimized, and wise if you can maintain your vision of
that interesting angle.” But embedded in Loughlin’s modest intellect
there was a stratum of probity that was rock to these sprays of the
casuist; and although Orianda grew more alluring than ever, he packed
his bag, and on a morning she herself drove him in the gig to the
station.
Upon that miserable departure it was fitting that rain should fall. The
station platform was piled with bushel baskets and empty oil barrels.
It rained with a quiet remorselessness. Neither spoke a word, no one
spoke, no sound was uttered but the faint flicking of the raindrops.
Her kiss to him was long and sweet, her good-bye almost voiceless.
“You will write?” she whispered.
“Yes, I will write.”
But he does not do so. In London he has not forgotten, but he cannot
endure the thought of that countryside—to be far from the madding crowd
is to be mad indeed. It is only after some trance of recollection,
when his fond experience is all delicately and renewingly there, that
he wavers; but time and time again he relinquishes or postpones his
return. And sometimes he thinks he really will write a letter to his
friend who lives in the country.
But he does not do so.
_Alas, Poor Bollington!_
“I walked out of the hotel, just as I was, and left her there. I never
went back again. I don’t think I intended anything quite so final, so
dastardly; I had not intended it, I had not thought of doing so, but
that is how it happened. I lost her, lost my wife purposely. It was
heartless, it was shabby, for she was a nice woman, a charming woman,
a good deal younger than I was, a splendid woman, in fact she was very
beautiful, and yet I ran away from her. How can you explain that,
Turner?”
Poor Bollington looked at Turner, who looked at his glass of whiskey,
and that looked irresistible—he drank some. Bollington sipped a little
from his glass of milk.
Public-domain text, read in full here on John Shaqi.
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