The Black Dog, and Other StoriesCoppard, A. E. (Alfred Edgar)
General
The Black Dog, and Other Stories
Coppard, A. E. (Alfred Edgar)
England -- Social life and customs -- 20th century -- Fiction; Short stories, English
Water must be either warm or not warm, but it does not follow that it
must be warm or cold.
Simpkins felt giddy. He dropped the book, and tottered to the couch.
Immediately the room spun round and something in his head began to hum,
to roar like an aeroplane a long way up in the sky. He felt that he
ought to get out of the room, quickly, and get some water, either not
or cold warm—he didn’t mind which! He clapped on his hat and, slipping
into his overcoat, he reached a door. It opened into a bedroom, very
bare indeed compared with this other room, but Simpkins rolled in; the
door slammed behind him, and in the darkness he fell upon a bed, with
queer sensations that seemed to be dividing and subtracting in him.
When he awoke later—oh, it seemed much later—he felt quite well again.
He had forgotten where he was. It was a strange place he was in,
utterly dark; but there was a great noise sounding quite close to him—a
gramophone, people shouting choruses and dancing about in the adjoining
room. He could hear a lady’s voice too. Then he remembered that he
ought not to be in that room at all; it was, why, yes, it was criminal;
he might be taken for a burglar or something! He slid from the bed,
groped in the darkness until he found his hat, unbuttoned his coat, for
he was fearfully hot, and stood at the bedroom door trembling in the
darkness, waiting and listening to that tremendous row. He _had_ been
a fool to come in there! How was he to get out—how the deuce was he to
get out? The gramophone stopped. He could hear the voices more plainly.
He grew silently panic-stricken; it was awful, they’d be coming in to
him perhaps, and find him sneaking there like a thief—he must get out,
he must, he must get out; yes, but how?
The singing began again. The men kept calling out “Lulu! Lulu!” and
a lady’s gay voice would reply to a Charley or a George, and so on,
when all at once there came a peremptory knock at the outer door.
The noise within stopped immediately. Deep silence. Simpkins could
hear whispering. The people in there were startled; he could almost
feel them staring at each other with uneasiness. The lady laughed out
startlingly shrill. “Sh-s-s-sh!” the others cried. The loud knocking
began again, emphatic, terrible. Simpkins’ already quaking heart began
to beat ecstatically. Why, oh why, didn’t they open that door?—open it!
open it! There was shuffling in the room, and when the knocking was
repeated for the third time the outer door was apparently unlocked.
“Fazz! Oh, Fazz, you brute!” cried the relieved voices in the room.
“You fool, Fazz! Come in, damn you, and shut the door.”
“Good gracious!” exclaimed the apparently deliberating Fazz, “what is
that?”
“Hullo, Rob Roy!” cried the lady, “it’s me.”
Public-domain text, read in full here on John Shaqi.
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