American fiction -- 20th century; Detective and mystery stories
"What do you suppose that means?" she said.
I didn’t know exactly myself but—notes, endorsee dead!—it had a bad
sound. As Iola reached down her lunch box and tied it up, talking
uneasily about the man and what he’d wanted, I remembered the gossip in
New Jersey when Miss Whitehall started her land scheme. There’d been
rumors then that maybe she was backed, and if Hollings Harland had been
behind it—My goodness! you couldn’t tell what might happen. But I wasn’t
going to say anything discouraging to Iola, so to change the subject I
moved to the door of the private office and looked in.
"Why does Mr. Ford call this the surgery?"
At the mention of the managing clerk Iola brightened up and said with a
smirk:
"Because it’s where Miss Whitehall chloroforms her clients with her
beauty and performs the operation of separating them from their money.
He’s always saying cute things like that."
We stood in the doorway and looked in. It was a smaller room than the
others, but furnished just as richly, with a mahogany center table, big
leather-covered armchairs and photographs of foreign views on the walls.
In one corner was an elegant, gold-embossed screen, that, when I spied
behind it, I saw hid a washstand. It was the last room of the suite and
had only one door that led into the office we’d been sitting in. In the
outside wall was a window from which you could see way over the city—a
wonderful view.
I walked to it and looked out. Over the roofs and chimneys I caught a
glimpse of the Hudson, a silvery gleam, and the Hoboken hills beyond.
Pressing my forehead against the glass I glimpsed down the sheer drop of
the walls to the roof of a church—a flat, black oblong with a squatty
dome at one end—squeezed as close as it could get against the lower
stories. Back of that were old houses, dwellings that would soon be
swept away, the yards behind them narrow strips with the separating
fences as small as lines made by a pencil.
I was so interested that for a moment I forgot Iola, but she brought me
back with a jerk.
"It was in the room above this that Mr. Harland was sitting with Mr.
Barker, before it happened."
"You don’t say," I answered. "Is it like this?"
"Exactly the same. I’ve seen it—one day when the boss was away and I
went up with Della Franks. They were in there just as we are in here and
then he went out this way—"
The door had been partly pushed to and she started to illustrate how he
had left the room, brushing round its edge. Something caught her, there
was a sound of ripping and she stopped, clapping her hand on her back:
"There go my pleats—Ding it!" she craned round over her shoulder trying
to see the back of her skirt. "What’s got me? Oh, the key. Well what do
you make of that—caught me like a hook."
She drew her dress off the key, which fell out of the lock on to the
floor.
"It’s only ripped," I said consolingly. "I can pin it for you."
Public-domain text, read in full here on John Shaqi.
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