American fiction -- 20th century; Detective and mystery stories
The first two days there was nothing doing and it was desperate dull.
The telephone office was off the main hall to one side of the elevator,
a bright little place on the street level. A good part of the time I sat
at the desk looking out at the people passing like shadows across the
ground glass of the windows. There were some calls for Miss Whitehall,
all business. These, no matter what they were, I listened to but got
nothing. Sometimes she answered, sometimes Tony Ford.
My desk was set so I could see out through the doorway into the hall,
and the first morning I was there I saw her pass. She looked better than
she had that night in her own apartment, but her face had a grave,
worried expression which you couldn’t be surprised at, seeing how things
stood with her.
It was the second evening and I was thinking of getting ready to go—the
building’s exchange closed at half-past six—when a tall fellow with a
swagger in his walk and his shoulders held back like he thought a lot of
his shape, stopped in the doorway and called out:
"Hello, Miss McCalmont. How goes the times?"
I looked up surprised and when he saw it wasn’t Miss McCalmont he looked
surprised too, raising his eyebrows and opening his eyes with an
exaggerated expression like he did it to make you laugh. He was a
fine-looking chap if size does it—over six feet and wide across the
chest—but his face, broad and flat, with cheeks too large for his
features, wasn’t the kind I admire. Also I noticed that the good-natured
look it had was contradicted by the gray, small eyes, sharp as a gimlet
and hard as a nail. I supposed he was some clerk from one of the offices
come to ask Miss McCalmont to dinner—they’re always doing that—and
answered careless, fingering at the plugs:
"Miss McCalmont’s been transferred."
"You don’t say," says he, leaning easy against the doorpost. "Since when
is that?"
"Since I came," I answered.
He grinned, showing teeth as white as split almonds, and his eyes over
the grin began to size me up, shrewd and curious. Taking him for some
fresh guy that Miss McCalmont was jollying along—they do that too—I paid
no attention to him, humming a tune and looking languid at my finger
nails. He wasn’t phazed a little bit, but making himself comfortable
against the doorpost, said:
"Going to stay on here?"
"The central’ll give you all the information you want," I answered and
wheeling round in my chair looked at the clock. "Ten minutes past six.
How slow the time goes when you’re dull."
He burst out laughing and he _did_ have a jolly, infectious kind of
laugh.
"Say," he said, "you’re a live one, aren’t you?"
[Illustration: _'Say,’ he said, ’you’re a live one, aren’t you?’_]
"I wouldn’t be long, if I had to listen to all the guys that ain’t got
anything better to do than block up doorways and try to be fresh."
He laughed louder and lolled up against the woodwork.
"I like you fine," said he. "Are you a permanency or just a fleeting
vision?"
Public-domain text, read in full here on John Shaqi.
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