American fiction -- 20th century; Detective and mystery stories
Inside the office Babbitts went up the hall to the old man’s den and I
tried to find out what she wanted. Her nervousness was then obvious.
Shifting from foot to foot, her free hand—she kept a tight clutch on the
boy—fingering at the buttons of her coat, she refused to say. All I
could get out of her was that she had something important to tell and
she wouldn’t tell it to anyone but "L’yer Whitney."
By this time my curiosity was aroused. I asked her if she was a witness
in a case, and with a troubled look she said "maybe she was," and then,
backing away from me against the wall, reiterated with stubborn
determination, "But I won’t speak to no one but L’yer Whitney himself."
I went up to the private office where the old man and George were
talking with Babbitts and told them. George was sent to see if he could
manage better than I had and presently was back again with the
announcement:
"I can’t get a thing out of her. She insists on seeing you, father, and
says she won’t go till she does."
"Bring her in," growled the chief, and as George disappeared he turned
to Babbitts and said, "Wait here for a moment. I want to ask you a few
more things about that girl last night."
Babbitts drew back to the window and I, taking a chair by the table,
said, laughing:
"She’s probably been sued by her landlord and wants you to take the
case."
"Maybe," said the old man quietly. "I’m curious to see."
Just then the woman came in, the child beside her, and George following.
She looked at the chief with a steady, inquiring gaze, and he rose, as
urbanely welcoming as if she were a star client.
"You want to see me, Madam?"
"I do," she answered, "if you’re L’yer Whitney. For it’s to no one else
I’ll be goin’ with what I’m bringin’."
He assured her she’d found the right man, and waved her to a chair. She
sat down, drawing the boy against her knee, the chief opposite, leaning
a little forward in his chair, all encouraging attention.
"Well, what is it?" he said.
"It’s about the Harland suicide," she answered, "and it’s my husband,
Dan Meagher, who drives a dray for the Panama Fruit Company, who’s sent
me here. ’Go to L’yer Whitney and tell him,’ he says to me, ’and don’t
be sayin’ a word to a soul, not your own mother if she was above the sod
to hear ye.’"
George, who had been standing by the table with the sardonic smile he
affects, suddenly became grave and dropped into a chair. The chief,
nodding pleasantly, said:
"The Harland suicide, Mrs. Meagher; that’s very good. We’d like any
information you can give us about it."
The woman fetched up a breath so deep it was almost a gasp. With her
eyes on the old man she bent forward, her words, with their rich rolling
r’s, singularly impressive.
"It’s an honest woman I am, your Honor, and what I’ll be after tellin’
you is God’s truth for me and for Dannie here, who’s never lied since
the day he was born."
The little boy looked up and spoke, his voice clear and piping, after
the fuller tones of his mother:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account