American fiction -- 20th century; Detective and mystery stories
"No—there’s some more in another place. Here: ’Johnston Barker, whose
interview with Harland is supposed to have driven the desperate lawyer
to suicide, was not found in his house last night. Repeated telephone
calls throughout the evening only elicited the answer that Mr. Barker
was not at home and it was not known where he was.’ Then there’s a lot
about him and his connection with the Copper Pool. Do you want to hear
it?"
"No, I know all that. Pretty grisly business. But I don’t see why
Barker’s lying low. Why the devil doesn’t he show up?"
"Perhaps he doesn’t like the notoriety. Does it say in your paper too
that they couldn’t find him?"
"About the same. Looks to me as if there was a nigger in the woodpile
somewhere."
"Maybe he never expected the man would kill himself and he’s prostrated
with horror at what he’s responsible for."
Babbitts threw down his paper with a sarcastic grin:
"I guess it takes more than that to prostrate Johnston Barker. You don’t
rise from nothing to be one of the plutocrats of America and keep your
conscience in cotton wool."
I turned the page of my paper and there, staring at me, was a picture of
the man we were talking about.
"Here he is," I said, "on the inside page," and then read: "’Johnston
Barker, whose interview with Hollings Harland is thought to have
precipitated the suicide and who was not to be found last evening at his
home or club.’"
Babbitts came round and looked over my shoulder:
"Did you ever see a harder, more forceful mug? Look at the nose—like a
beak. Men with noses like that always seem to me like birds of prey."
The picture did have that look. The face was thin, one of those narrow,
lean ones with a few deep lines like folds in the skin. The nose was, as
Babbitts said, a regular beak, like a curved scimitar, big and hooked. A
sort of military-looking, white moustache hid the mouth, and the eyes
behind glasses were keen and dark. I guess you’d have called it quite a
handsome face, if it hadn’t been for the grim, hard expression—like it
belonged to some sort of fighter who wouldn’t give you any mercy if you
stood in his way.
"It takes a feller like that to make millions in these trust-busting
days," said Babbitts.
"He looks as if he could corner copper and anything else that took his
fancy," I answered.
"If he’s really flown the coop there’ll be the devil to pay in Wall
Street." He gave my shoulder a pat. "Well, we’ll see today and the
sooner I get on the scene of action the sooner I’ll know. Good-by, my
Morningdew.—Kiss me and speed me on my perilous way."
Public-domain text, read in full here on John Shaqi.
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