American fiction -- 20th century; Short stories, American
It would be unjust to the intelligence of Timberline to permit one for
a moment to suppose that the dullest of her male citizenry lived unaware
of the ignoble plans of Chicken Bill. That he proposed to salt a claim
and therewith ensnare the stranger within the local gates were truths
which all men knew. But all men cared not; and mention of the enterprise
when the miracle of Chicken Bill at work found occasional comment
over the bars, aroused nothing save a sluggish curiosity as to whether
Chicken Bill would succeed. No thought of warning the unwary arose in
the Timberline heart.
“It’s the proper play,” observed Pike’s Peak Martin, representative of
Timberline feeling, “to let every gent seelect his own licker an’ hobble
his own hoss. If Chicken Bill can down anybody for his bankroll without
making a gun play to land the trick, thar’s no call for the public to
interfere.”
It was about this time that Chicken Bill added to his ornate scheme of
claim-salting--a plain affair of the heart. The lady to thus cast her
spell over Chicken Bill was known as Deadwood Maggie and flourished a
popular waitress in the Belle Union Hotel. Timberline thought well of
Deadwood Maggie, and her place in general favor found suggestion in a
remark of Pike’s Peak Martin.
“Deadwood Maggie,” observed that excellent spirit, as he replaced his
glass on the Four Flush bar and turned to an individual who had been
guilty of words derogatory to the lady in question; “Dead-wood Maggie
is a virchoous young female, an’ it shore frets me to hear her lightly
allooded to.”
As Pike’s Peak Martin’s disapproval took the violent form of smiting the
maligner upon the head with an 8-inch pistol, the social status of the
lady was ever after regarded as fixed.
Chicken Bill was not the one to eat his heart in silence, and his
passion was but one day old when he laid hand and fortune at Deadwood
Maggie’s feet. That maiden for her part displayed a suspicious front,
born perhaps of an experience of the perfidy of man. Deadwood Maggie was
inclined to a scorn of Chicken Bill and his proffer of instant wedlock.
“Not on your life!” was Deadwood Maggie’s reply.
But Chicken Bill persisted; he longed more ardently because of this
rebuff. To soften Deadwood Maggie he threw a gallant arm about her and
drew her to his bosom.
“Don’t be in sech a hurry to lose me,” said Chicken Bill on this
sentimental occasion.
Deadwood Maggie was arranging tables at the time for those guests who
from mine and store and bar-room would come, stamping and famishing,
an hour later. Chicken Bill and she for the moment had the apartment
to themselves. Goaded by her lover’s sweet persistency, and unable to
phrase a retort that should do her feelings justice, Deadwood Maggie
fell to the trite expedient of breaking a butter-dish on the head of
Chicken Bill.
“Now pull your freight,” said she, “or I’ll chunk you up with all the
crockery in the camp.”
Public-domain text, read in full here on John Shaqi.
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