American fiction -- 20th century; Short stories, American
As we crosses the little Plaza on our way to Casa Dolores we passes
in front of the church. Thar on the grass lays the wooden image of the
patron saint of the Plaza Chaparita. This figger is about four foot
long, an’ thar’s a hossha’r lariat looped onto it where them Mexicans
who gets malcontent with the saint ropes him off his perch from up in
front of the church. They’ve been haulin’ the image about an’ beatin’ it
with cactus sticks an’ all expressive of disdain.
I asks the padre why his congregation engages itse’f in studied
contoomely towards the Plaza’s saint. He shrugs his shoulders, spreads
his hands palm out, an’ says it’s because the Plaza’s sheep gets sick.
I su’gests that him an’ me cut in an’ rescoo the saint; more partic’lar
since the image is all alone, an’ the outfit that’s been beatin’ him
up has abandoned said corrections to drink pulque an’ exercise their
moccasins in the _baile_. But the padre shakes his head. He allows it’s
a heap better to let the public fully vent its feelin’s. He explains
that when the sheep gets well the congregation ’ll round-up the image,
give him a reproachful talk an’ a fresh coat of paint, an’ put him back
on his perch. The saint ’ll come winner on the deal all right, the padre
says.
“Besides,” argues the padre, “it is onneces-sary for pore blinded
mortals to come pawin’ about to protect a saint. These yere images,”
he insists, “can look after themse’fs. They’ll find the way outen their
troubles whenever they gets ready.”
At that we proceeds for’ard to Casa Dolores an’ the promised Valley Tan,
an’ leaves the wooden saint to his meditations on the grass. After all,
I agrees with the padre. It’s the saint’s business to ride herd on
the interests of the Plaza Chaparita; an’ if he goes to sleep on the
lookout’s stool an’ takes to neglectin’ sech plays as them sheep gettin’
sick, whatever is the Greasers goin’ to do? They’re shore bound to
express their disapproval; an’ I reckons as good a scheme as any is to
caper up, yank the careless image outen his niche with a lariat, an’ lam
loose an’ cavil at him with a club.
This yere _fieste_ at the Plaza Chaparita is a day an’ night of
laughter, dance an’ mirth. But it ends bad. The padre an’ me is over to
the dance-hall followin’ our investigations touchin’ the Valley Tan
an’ the padre explains to me how he permits to his people a different
behavior from what’s possible among Americanos.
Public-domain text, read in full here on John Shaqi.
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