The Black Man, the Father of Civilization, Proven by Biblical HistoryWebb, James Morris
History
The Black Man, the Father of Civilization, Proven by Biblical History
Webb, James Morris
Black people in the Bible; Civilization, Ancient; Theological anthropology
"I beg to say, after hearing Elder Webb on the subject, that the blood of
the Negro coursed through the veins of Jesus and Solomon. I am frank to
say I have seldom, if ever, enjoyed such an intellectual treat. The
position he assumed as the subject of his lecture touching the Hametic
blood and race is difficult and requires a practical knowledge of Biblical
and historical lore. But I am pleased to say that he not only shows
himself an expert, but the master of the situation, and I commend him to
the ministry and churches of our race of every denomination. Truly,
"BISHOP H. M. TURNER."
COMMENT FROM ONE OF THE LEADING PAPERS OF THE WRITER'S HOME.
"The evidence submitted by Elder Webb tending to prove that the Saviour of
mankind was a black man seems to be sufficient to put those who oppose the
proposition upon their proof. Now that the chain of evidence presented by
Mr. Webb appears so complete, it is strange that none of the delvers in
the Biblical records have not advanced the sensational proposition before.
Not only was Christ a Negro, but it seems that Solomon, who has been held
up through all of the ages as the personification of wisdom, had Ethiopian
blood in his veins also."--_Seattle Daily Times._
[Illustration: HENRY O. TANNER
The World-Famous Afro-American Artist]
Henry O. Tanner is the world famous Afro-American artist. He is the oldest
son of Bishop Tanner of the A. M. E. Church. He was born in Pittsburg,
Penn., but was trained in the public schools of Philadelphia, to which
place his parents moved soon after his birth. His first steps in his life
work were taken in the art schools of Philadelphia from which training he
went to Paris where his genius developed and flowered in the studies of
Benjamin Constant and Julien. In 1895 his "Sabot Maker," was shown in the
salon exhibit and received friendly treatment from the French critics.
Frenchmen, as a rule, are not too favorably inclined to the works of
foreigners and their appreciation of Tanner is truly significant of the
real value this work--a merit which puts it beyond the limitations of race
and country. In 1896 he exhibited "Daniel in the Lion's Den," the first of
a line of religious works with which his fame has been since connected.
This picture received Honorable mention from the French Jury and was
bought by the Pennsylvania Academy.
Mr. Tanner's picture, "The Two Disciples at the Tomb," was purchased by
the Chicago Art Institute for $1,600.
In Memory of
Paul Lawrence
Dunbar
Famous
African-American
Poet
THE COLORED SOLDIERS
(From Dunbar's "Lyrics of Lowly Life.")
Public-domain text, read in full here on John Shaqi.
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