English fiction -- 19th century; Short stories, English
Duilius, with a lively recollection of these inconveniences, would have
spoken very seriously indeed to his musician, but he shrank from hurting
his feelings by the plain truth. He simply explained that he had not
intended the other to accompany him _always_, but only on special
occasions; and, while professing the sincerest admiration for his
musical proficiency, he felt, as he said, unwilling to monopolise it,
and unable to enjoy it at the expense of a fellow-creature's rest and
comfort.
Perhaps he put the thing a little too delicately to secure the object he
had in view, for the musician, although he was obviously deeply touched
by such unwonted consideration, waived it aside with a graceful fervour
that was quite irresistible.
He assured the Consul that he was only too happy to have been selected
to render his humble tribute to the naval genius of so eminent a
commander; he would not admit that his own rest and comfort were in the
least affected by his exertions, for, being naturally fond of the flute,
he could, he protested, perform upon it continuously for whole days
without fatigue. And he concluded by pointing out very respectfully that
for the Consul to dispense, even to a small extent, with an honour
decreed (at his own particular request) by the Republic, would have the
appearance of ingratitude, and expose him to the gravest suspicions.
After which he rendered the ancient love chant 'Ludus idem, ludus
vetus,' with singular sweetness and expression.
Duilius felt the force of his arguments: Republics are proverbially
forgetful, and he was aware that it might not be safe, even for him, to
risk offending the Senate.
So he had nothing to do but just go on, and be followed about by the
flute-player, and castigated by his parent in the old familiar way,
until he had very little self-respect left.
At last he found a distraction in his care-laden existence--he fell
deeply in love. But even here a musical Nemesis attended him, to his
infinite embarrassment, in the person of his devoted follower. Sometimes
Duilius would manage to elude him and slip out unseen to some sylvan
retreat, where he had reason to hope for a meeting with the object of
his adoration. He generally found that in this expectation he had not
deceived himself; but always, just as he had found courage to speak of
the passion that consumed him, a faint tune would strike his ear from
afar, and, turning his head in a fury, he would see his faithful
flute-player striding over the fields in pursuit of him with
unquenchable ardour.
He gave in at last, and submitted to the necessity of speaking all his
tender speeches 'through music.' Claudia did not seem to mind it,
perhaps finding an additional romance in being wooed thus, and Duilius
himself, who was not eloquent, found that the flute came in very well at
awkward pauses in the conversation.
Public-domain text, read in full here on John Shaqi.
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