Lord Elyn went in first. I followed. The study was, as Vernon had said, a real workroom. There was little furniture in it, and what there was was plain and serviceable. Near the one window, which looked out at the back on to the backs of other houses, was a large writing-table covered with documents, pamphlets, magazines, address-books, gum-bottles, elastic bands, balls of string, a Remington typewriter, piles of paper bands for fastening newspapers and manuscripts, etc. In the midst of this ordered rummage stood a cabinet photograph of a man. I did not examine it then, but I knew later that it was Arthur Gernham, the notorious anti-vivisectionist. A few chairs, a thick Turkey carpet, and two revolving bookcases completed the furniture. The walls were tinted a dull red, and there were red curtains at the window. There were no pictures or ornaments. On the mantelpiece stood a clock which struck the quarter after six as we came in. “Where’s the—oh, there he is!” said Lord Elyn. The black spaniel was lying crouched upon the floor in a corner near the window, a dark patch against the red of the curtain which touched him. He had been tied by a piece of cord to the writing-table, but had shrunk back, as if in an effort to escape, until he could go no farther. Now he lay with his face turned towards the door, motionless, staring. When we saw him he did not move. He only looked at us. He only looked at us, I have said. Then why did Lord Elyn stop short just inside the door, as if startled? Why did I feel an almost invincible desire to get out of this room, even out of this house of my friend? It must have been the violence of terror in the dog’s eyes contrasted with the absolute stillness, the stillness as of death, of his body. Yes, I think it must have been that which affected us. For in violence there is always contained the suggestion of intense activity, the suggestion of movement, and the dog’s eyes conveyed to me the feeling that his soul was rushing from us, while his body lay there before us against the red curtain like a carven thing. “There he is!” Lord Elyn repeated in a low voice. He looked at me and then at Vernon. I thought he was going out of the room, and I am sure he wanted to do so; but he stood where he was in silence and again looked towards the spaniel. “Well, what do you think of him?” asked Vernon. The sound of his voice perhaps made Lord Elyn conscious that we were behaving somewhat absurdly, that we were almost huddling together, he and I, beside the door. For he took a step—but only a step—forward, and answered, with an evident effort to speak more naturally: “Oh, he looks a good specimen. He’s well bred; I should say, well bred—yes.” Again he glanced at me as if questioning me. All this time the spaniel did not move, but lay staring at us with eyes full of horror. His stillness appalled me. “And what do you think, Luttrell?” said Vernon. It was with a difficulty that was extraordinary to me that I answered him.