The Blacksmith in Eighteenth-Century Williamsburg: An Account of His Life & Times and of His Craft — John Shaqi
The Blacksmith in Eighteenth-Century Williamsburg: An Account of His Life & Times and of His CraftGill, Harold B.
History
The Blacksmith in Eighteenth-Century Williamsburg: An Account of His Life & Times and of His Craft
Gill, Harold B.
Blacksmithing -- History
Produced by Stephen Hutcheson and the Online Distributed
Proofreading Team at http://www.pgdp.net
THE
BLACKSMITH
in Eighteenth-Century
_WILLIAMSBURG_
An Account of his Life & Times and of his Craft
_Williamsburg Craft Series_
_WILLIAMSBURG_
Published by _Colonial Williamsburg_
MCMLXXVIII
_The Blacksmith
in Eighteenth-Century_ Williamsburg
[Illustration: Decorative capital]
“Iron seemeth a simple metal, but in its nature are many mysteries,”
wrote Joseph Glanvill, a seventeenth-century English churchman. To the
contrary, Henry Wadsworth Longfellow, two centuries later, found nothing
mysterious about the worker in iron. His brawny blacksmith (long hair
and all) embodied every simple virtue: he owed money to no man, prayed
in church on Sundays, and earned an honest living by the sweat of his
honest brow.
Longfellow may have realized that he was penning a swan song for the
village blacksmith, whose forge and anvil could not last far into the
factory age. Most probably, however, the poet did not think of himself
as reducing to the level of small-town banality the lusty craftsman
whose precursors forged thunderbolts for the gods.
To primitive peoples, it seems, there has always been something
supernatural about the smith. He tamed fire to his will. He turned the
ores of earth into magic and invincible weapons, or into prosaically
peaceful tools. He himself became a god: Osiris of Egypt, Hephaestus to
the ancient Greeks, Vulcan of Roman theology, Odin in Norse myth. Or he
turned into a whole race of demigods—giant Cyclops or dwarf
Nibelungs—having mystical skills in metalwork.
_SEEKERS FOR GOLD AND IRON_
Down through all recorded civilizations man has valued gold as the most
precious of metals. Yet in every civilization since man learned to smelt
and forge it, iron has in fact been the metal most valuable to him.
The paradox is more apparent than real. Iron is a common metal, and
(with steel) can be put to an almost unlimited variety of uses—including
the working of other metals. Its real value to man is utilitarian,
although it may be employed for decorative and even monetary purposes.
Gold, on the other hand, although of somewhat limited usefulness, is
comparatively rare and is valued more for that than for its durable
beauty.
Public-domain text, read in full here on John Shaqi.
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