The Blacksmith in Eighteenth-Century Williamsburg: An Account of His Life & Times and of His CraftGill, Harold B.
History
The Blacksmith in Eighteenth-Century Williamsburg: An Account of His Life & Times and of His Craft
Gill, Harold B.
Blacksmithing -- History
Readers unfamiliar with the processes and products of a smithy are
likely to be strangers also to many of the smith’s tools—which makes for
something of a problem in trying to describe them. For this and other
reasons it seems wise to start with what may be the most familiar items
today.
_Nails._ In the early years of the Jamestown colony land was plentiful
and nails were scarce. They, like every other object of iron—except the
“little chissels” mentioned by Captain John Smith—had to be brought over
from England. When the soil of their tobacco fields was worn out,
planters simply took up, cleared, and planted new land farther west.
Sometimes they set fire to buildings on the abandoned land in order to
salvage the nails for re-use, a practice that was forbidden by law in
1644.
However, nails were not difficult to make if one had a supply of
wrought-iron rods and a few tools. Frontier farmers—which in
eighteenth-century Virginia meant those living one or two hundred miles
to the west of Williamsburg—sometimes spent winter days in nailmaking.
The fireplace served as forge, and even the younger members of the
family could wield tongs, hammers, and cold chisel or man the vise.
[Illustration: _Nails and tacks of various sizes and shapes and for
various special uses, from Diderot’s encyclopedia. Figure 14 at the
lower right is a wheel nail, for example._]
Where there was a blacksmith, as we have already seen, he—or more likely
his apprentice—made the nails. James Anderson estimated that eight boys
could turn out twenty-five thousand nails in a week. Isaac Zane, who had
an ironworks in the neighborhood of Winchester, owned “17 nailors tools
great & small” and “2 nailors anvills.” The smith probably started with
iron several feet long, about one-quarter-inch in width and the same
thickness, produced in a slitting mill. His first procedure was to draw
them down—and here we come to the first terminological stumbling block.
Drawing down (or drawing out or beating out) is the smith’s phrase for
thinning and lengthening a piece of metal by heating and hammering it.
The contrary process of thickening—by hammering on the end of a rod—is
called upsetting and is the technique used in making the head of the
nail. Before he did that, though, the smith, having drawn down the rod
to the proper thickness for the nails to be made, cut them to the
desired length. Most likely he did this on a hardie, which is like a
chisel held with the point upward in the square hardie hole of the
anvil.
_Horseshoes._ Hugh Jones in 1724 wrote that horseshoes were “seldom used
in the lower part of the country, where there are few stones.” It is
true that the soil of tidewater Virginia tends to be sandy and free of
stones, so that horses could and did go unshod much of the time. Yet
there is ample evidence—some of which we have seen in the accounts
excerpted above—that blacksmiths and farriers worked in the Williamsburg
area at making and mounting horseshoes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account