The Blight of Respectability: An Anatomy of the Disease and a Theory of Curative TreatmentMortimer, Geoffrey
Philosophy
The Blight of Respectability: An Anatomy of the Disease and a Theory of Curative Treatment
Mortimer, Geoffrey
Conduct of life; Ethics; Great Britain -- Social conditions
"I sojourned perforce for a long while in Villadom," says an enemy
of Respectability; "and I came away with some of its froust about my
person." You can't bide there without getting harm; but the worst of
it is, we have no option, many of us; we have to live in Villadom at
some time or another in our lives. Thackeray, Guy de Maupassant, George
Gissing, and George Moore have given us some clever studies of the
kind of folk who live in those genteel residences in the suburbs. Mr.
Moore's picture of Ashbourne Crescent, in the last chapter of "A Drama
in Muslin," is about the finest of the sort I have met with in fiction.
It is so good a description of the region that I am tempted beyond
resistance to steal parts of it.
"In Ashbourne Crescent there is neither dissent nor Radicalism,
but general aversion to all considerations which might disturb
belief in all the routine of existence, in all its temporal and
spiritual aspects, as it had come amongst them. The fathers
and the brothers go to the City every day at nine, the young
ladies play tennis, read novels, and beg to be taken to dances
at the Kensington Town Hall. On Sunday the air is alive with
the clanging of bells, and, in orderly procession, every family
proceeds to church, the fathers in all the gravity of umbrellas
and prayer-books, the matrons in silk mantles and clumsy,
ready-made elastic sides; the girls in all the gaiety of their
summer dresses, with lively bustles bobbing; the young men in
frock-coats which show off their broad shoulders, as from time to
time they pull their tawny moustaches. Each house keeps a cook and
housemaid, and on Sunday afternoons, when the skies are flushed
with sunset, and the outlines of this human warren grow harshly
distinct--black lines upon pale red--these are seen walking
arm-in-arm away towards a distant park with their young men....
And that Ashbourne Crescent, with its bright brass knockers, its
white-capped maidservants, and spotless oilcloths, will in the
dim future pass away before some great tide of revolution that is
now gathering strength far away, deep down and out of sight in
the heart of a nation, is probable enough; but it is certainly
now, in all its cheapness and vulgarity, more than anything else
representative, though the length and breadth of the land be
searched, of the genius of Empire that has been glorious through
the long tale that nine hundred years have to tell."
Public-domain text, read in full here on John Shaqi.
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