His eyes shifted from the face of one to another, until he had assured
himself that all agreed. As Avery left the car, Eaton found a seat in
one of the end sections near the drawing-room. Sinclair and the
conductor had returned to Santoine. The porter was unmaking the berth
in the next section which Santoine had occupied, having been told to do
so by Connery; the negro bundled together the linen and carried it to
the cupboard at the further end of the car; he folded the blankets and
put them in the upper berth; he took out the partitions and laid them
on top of the blankets. Eaton stared out the window at the bank of
snow. He did not know whether to ask to leave the car, or whether he
ought to remain; and he would have gone except for recollection of
Harriet Santoine. He had heard the rear door of the car open and close
some moments before, so he knew that she must be in the car and that,
in the passage at that end, Avery must be telling her about her father.
Then the curtain at the end of the car was pushed further aside, and
Harriet Santoine came in.
She was very pale, but quite controlled, as Eaton knew she would be.
She looked at Eaton, but did not speak as she passed; she went directly
to the door of the drawing-room, opened it and went in, followed by
Avery. The door closed, and for a moment Eaton could hear voices
inside the room--Harriet Santoine's, Sinclair's, Connery's. The
conductor then came to the door of the drawing-room and sent the porter
for water and clean linen; Eaton heard the rip of linen being torn, and
the car became filled with the smell of antiseptics.
Donald Avery came out of the drawing-room and dropped into the seat
across from Eaton. He seemed deeply thoughtful--so deeply, indeed, as
to be almost unaware of Eaton's presence. And Eaton, observing him,
again had the sense that Avery's absorption was completely in
consequences to himself of what was going on behind the door--in how
Basil Santoine's death or continued existence would affect the fortunes
of Donald Avery.
"Is he going to operate?" Eaton asked.
"Operate? Yes; he's doing it," Avery replied shortly.
"And Miss Santoine?"
"She's helping--handing instruments and so on."
Avery could not have replied, as he did, if the strain this period must
impose upon Harriet Santoine had been much in his mind. Eaton turned
from him and asked nothing more. A long time passed--how long, Eaton
could not have told; he noted only that during it the shadows on the
snowbank outside the window appreciably changed their position. Once
during this time, the door of the drawing-room was briefly opened,
while Connery handed something out to the porter, and the smell of the
antiseptics grew suddenly stronger; and Eaton could see behind Connery
the surgeon, coatless and with shirt-sleeves rolled up, bending over
the figure on the bed. Finally the door opened again, and Harriet
Santoine came out, paler than before, and now not quite so steady.
Public-domain text, read in full here on John Shaqi.
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