He took off his hat and then put it back on his head. His favourite
trick when bewildered. I looked up and down the street.
“Didn't you see him? Harry! Didn't you see him? It was Rhamda Avec!”
I had seen no one; that is to notice; I did not know the Rhamda. Neither
did he.
“The Rhamda? You don't know him.”
Hobart was puzzled.
“No,” he said; “I do not; but it was he, just as sure as I am a fat
man.”
I whistled. I recalled the tale that was now a legend. The man had an
affinity for the fog mist. To come out of “Faust” and to run into the
Rhamda! What was the connection? For a moment we both stood still and
waited.
“I wonder--” said Hobart. “I was just thinking about that fellow
tonight. Strange! Well, let's get something hot--some coffee.”
But it had given us something for discussion. Certainly it was unusual.
During the past few days I had been thinking of Dr. Holcomb; and for the
last few hours the tale had clung with reiterating persistence. Perhaps
it was the weirdness and the tremulous intoxication of the music. I was
one of the vast majority who disbelieved it. Was it possible that it
was, after all, other than the film of fancy? There are times when we
are receptive; at that moment I could have believed it.
We entered the cafe and chose a table slightly to the rear. It was
a contrast to the cold outside; the lights so bright, the glasses
clinking, laughter and music. A few young people were dancing. I sat
down; in a moment the lightness and jollity had stirred my blood. Hobart
took a chair opposite. The place was full of beauty. In the back of my
mind blurred the image of Rhamda. I had never seen him; but I had read
the description. I wondered absently at the persistence.
I have said that I do not believe in fate. I repeat it. Man should
control his own destiny. A great man does. Perhaps that is it. I am not
great. Certainly it was circumstance.
In the back part of the room at one of the tables was a young man
sitting alone. Something caught my attention. Perhaps it was his
listlessness or the dreamy unconcern with which he watched the dancers;
or it may have been the utter forlornness of his expression. I noted his
unusual pallor and his cast of dissipation, also the continual working
of his long, lean fingers. There are certain set fixtures in the night
life of any city. But this was not one. He was not an habitue. There was
a certain greatness to his loneliness and his isolation. I wondered.
Just then he looked up. By a mere coincidence our eyes met. He smiled,
a weak smile and a forlorn one, and it seemed to me rather pitiful. Then
as suddenly his glance wandered to the door behind me. Perhaps there
was something in my expression that caught Hobart's attention. He turned
about.
“Say, Harry, who is that fellow? I know that face, I'm certain.”
“Come to think I have seen him myself. I wonder--”
Public-domain text, read in full here on John Shaqi.
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