Fantasy fiction; Humorous stories; Mars (Planet) -- Fiction; Science fiction; Science fiction -- Authorship -- Fiction; Short stories
the Blonde from Barsoom
By ROBERT F. YOUNG
Illustrated by SUMMERS
_The Tarks were attacking, the bosomy princess
was clinging to him in terror, and Harold Smith
realized he was at the end of his plot-line.
What a dilemma! And what an opportunity!!_
[Transcriber's Note: This etext was produced from
Amazing Stories July 1962.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
For the most part, all Harold Worthington Smith's Martian stories
ever netted him were standard rejection slips, but every now and then
one or another of the editors to whom he submitted them would pen him
a brief note to the effect that his writing indicated an unusually
vivid imagination. However, they invariably added, his dialogue was
stilted, his heroines were dimensionally impossible, and his stories
were wish-fulfillment reveries in a Burroughs vein--unredeemed,
unfortunately, by Burroughs' high-flown puritanical idealism.
Harold agreed with them wholeheartedly on point no. 1. Thanks to
his ability to achieve total identification with his protagonists,
he did have an unusually vivid imagination. Take this very minute,
for instance: His main character--Thon Carther the Earthman--was
standing on the ocher moss of the Martian dead-sea bottom beside the
big-breasted blond princess whom he had rescued from Tarkia some two
thousand words ago, fearlessly awaiting the oncoming horde of Tarks.
But it wasn't really Thon Carther who was standing there, it was Harold
Worthington Smith--a tall, tanned and handsome Harold Worthington
Smith, to be sure, but Harold Worthington Smith just the same.
On points no. 2 and 3, however--be it said forthwith--he did not agree.
He had, moreover, written to the editors in question and said so. A
Burroughs influence, he had said, was an essential ingredient in the
makeup of any science-fiction writer, and he was reasonably certain
that he didn't exhibit one any more than half a dozen other scribes he
could name. And as for his heroines being dimensionally impossible,
such an attitude merely betrayed an inherent geocentricism: simply
because 46-21-46 females didn't exist on Earth was no reason to take it
for granted that they didn't exist on Mars. (He discreetly avoided any
reference to point no. 4: there were times when he wondered about his
dialogue himself.)
* * * * *
Public-domain text, read in full here on John Shaqi.
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