The Blood Covenant: A Primitive Rite and its Bearings on ScriptureTrumbull, H. Clay (Henry Clay)
Religion
The Blood Covenant: A Primitive Rite and its Bearings on Scripture
Trumbull, H. Clay (Henry Clay)
Blood -- Folklore; Covenants -- Religious aspects
For example, in a series of illustrations of Oriental manners,
prepared under the direction of the French ambassador to Turkey, at
the beginning of the eighteenth century, there appears a Turkish lover
gashing his arm in the presence of his lady-love, as a proof of his
loving attachment to her; and the accompanying statement is made,
that the relative flow of blood thus devoted indicates the measure of
affection--or of affectionate devotedness.[173]
A custom akin to this was found in Otaheite, when the South Sea Islands
were first visited by English missionaries. The measure of love, in
time of joy or in time of grief, was indicated by the measure of blood
drawn from the person of the loving one. Particularly was this the case
with the women; perhaps because they, in Otaheite as elsewhere, are
more loving in their nature, and readier to give of their very life in
love.
“When a woman takes a husband,” says a historian of the first
missionary work in Otaheite, “she immediately provides herself with
a shark’s tooth, which is fixed, with the bread-fruit gum, on an
instrument that leaves about a quarter of an inch of the tooth bare,
for the purpose of wounding the head, like a lancet. Some of these have
two or three teeth, and struck forcibly they bring blood in copious
streams; _according to the love they bear the party_, and the violence
of their grief, _the strokes are repeated on the head_; and this has
been known to bring on fever, and terminate in madness. If any accident
happen to the husband, [to] his relations, or friends, or their child,
the shark’s tooth goes to work; and even if the child only fall down
and hurt itself, the blood and tears mingle together.... They have a
very similar way of expressing their joy as well as sorrow; for whether
a relation dies, or a dear friend returns from a journey, the shark’s
tooth instrument ... is again employed, and the blood streams down....
When a person of eminence dies ... the relatives and friends ...
repeat before it [the corpse] some of the tender scenes which happened
during their life time, and wiping the blood which the shark’s teeth
has drawn, deposit the cloth on the tupapow as the proof of their
affection.”[174]
In illustration of this custom, the same writer says, in the course of
his narrative: “When we had got within a short mile of the Isthmus,
in passing a few houses, an aged woman, mother to the young man who
carried my linen, met us, and to express her joy at seeing her son,
struck herself several times on the head with a shark’s tooth, till
the blood flowed plentifully down her breast and shoulders, whilst the
son beheld it with entire insensibility [He saw in it only the common
proof of his mother’s devoted love].... The son seeing that I was not
pleased with what was done, observed coolly, that it was the custom of
Otaheite.”[175]
Public-domain text, read in full here on John Shaqi.
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