Pennell stood aloof, battling to restrain his laughter at the comical
sight before him. The Baroness’s foot, from which she had taken the
shoe, was garbed in a black woollen stocking full of holes, which
displayed a set of bare toes. But, apparently quite unaware of the
ludicrous object she presented, she kept on calling out for Harriet
Brandt and Miss Wynward to come and complete the circle at which only
Mr. Milliken and herself were seated. But Harriet shrank backwards and
refused to play.
“No! indeed, Madame, I cannot. I do not know your English games!” she
pleaded.
“Come on, we’ll teach you!” screamed Madame Gobelli, “’ere’s Milliken,
’e knows all about it, don’t you, Milliken? ’E knows ’ow to look for
the slipper under the gal’s petticoats. You come ’ere, ’Arriet, and sit
next me, and Mr. Pennell shall be the first to ’unt. Come on!”
But Miss Brandt would not “come on”. She remained seated, and declared
that she was too tired to play and did not care for _les jeux
innocents_, and she had a headache, and anything and everything, before
she would comply with the outrageous request preferred to her.
Madame Gobelli grumbled at her idleness and called her disobliging, but
Anthony admired the girl for her steadfast refusal. He did not like to
see her in the familiar society of such a woman as the Baroness--he
would have liked still less to see her engaged in such a boisterous and
unseemly game as “Hunt the slipper.”
He took the opportunity of saying,
“Since you are disinclined for such an energetic game, Miss Brandt,
perhaps you would oblige me by singing a song! I should so much like to
hear the mandoline. Mrs. Pullen has spoken to me of your efficiency on
it.”
“If Madame Gobelli wishes it, I have no objection,” replied Harriet.
“Oh! well! if you are all going to be so disagreeable as not to play a
good game,” said the Baroness, as Mr. Milliken pulled her on her feet
again, “’Arriet may as well sing to us! But a good romp first wouldn’t
’ave done us any ’arm!”
She adjourned rather sulkily to a distant sofa with Mr. Milliken,
where they entertained each other whilst Harriet tuned her mandoline
and presently let her rich voice burst forth in the strains of “Oh!
ma Charmante.” Anthony Pennell was enchanted. He had a passion for
music, and it appealed more powerfully to him than anything else. He
sat in rapt attention until Harriet’s voice had died away, and then he
implored her to sing another song.
“You cannot tell what it is for me, who cares more for music than for
anything else in this world, to hear a voice like yours. Why! you will
create a perfect _furore_ when you go into society. You could make your
fortune on the stage, but I know you have no need of that!”
“Oh! one never knows what one may have need of,” said Harriet gaily, as
she commenced “Dormez, ma belle”, and sang it to perfection.
“You must have had a very talented singing-master,” observed Pennell
when the second song was finished.
Public-domain text, read in full here on John Shaqi.
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