"Oh, my dear, but I _am_ glad to see you!" burst from the elder woman as
she waved her in. But she did not so much as mention the absence of Mrs.
Robson, and Claire was divided between a feeling of wounded family
pride, and gratification at the intuition which had warned her to leave
her mother to her own devices. More people arrived on Claire's heels,
and in the lively bustle she was left to shed her wraps in one of the
bedrooms. Her heart was pounding with reaction at her outwardly
self-contained entrance. She let her rather shabby cloak slip to the
floor, revealing a strange, new Claire resplendent in the
gold-embroidered gown that had once so stirred her rancor. For a brief
instant she had an impulse to gather the discarded wrap securely about
her and make a quick exit. A swooning fear at the thought of meeting a
roomful of people assailed her. But there succeeded a courage born of
the realization that they all would be strangers. With a sense of
bravado she stepped out into the entrance hall again.
Ned Stillman came forward. She halted and waited for him. His face had
lit with a sudden pleasure, which told Claire that for once in her life
her presence roused positive interest. He inquired after her health, why
her mother had not come, whether the abominable fog was clearing. His
easy formality put her, as usual, completely at ease.
It was only when he asked her, with the most inconsequential tone in the
world, "whether she could read music at sight" that a sinking fear came
over her. And yet she found courage enough to be truthful and say yes.
"That's fine!" he returned. "Our accompanist hasn't come yet and we want
to start off with a song or two."
From this moment on the evening impressed itself on Claire in a series
of blurred hectic pictures.... She knew that Stillman was leading her
toward the piano, but the living-room and its toned lights gave her a
curious sense of unreality. She seated herself before the white keyboard
and folded her hands with desperate resignation while she waited for
Stillman to dictate the next move.
"My dear Mrs. Condor," Stillman explained, as that lady came up to them,
"we sha'n't have to wait for Flora Menzies. Miss Robson will accompany
you."
Claire sat unmoved. She was beyond so trivial a sensation as anxiety.
Stillman drifted away; Mrs. Condor began to run through the sheet music
lying on the piano.
"Of course you know Schumann, Miss Robson. Shall we start at once? How
is the light? If you moved your stool a little--so. There, that's
better."
Claire did not reply. She looked at the music before her. She was
conscious that it was a piece she knew, although its name registered no
other impression. She began to play. The opening bars almost startled
her. She felt a hush fall over the noisy room. Her fingers stumbled--she
caught the melody again with staggering desperation. Mrs. Condor was
singing.... The room faded; even the sound of Mrs. Condor's voice became
remote. Claire had a desire to laugh.
Public-domain text, read in full here on John Shaqi.
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