It was Mrs. Thomas Wynne who came in first, bundled mysteriously in her
furs and holding a glass of wine jelly as a conventional symbol of the
rôle of Lady Bountiful which she had for the moment assumed. Claire
could almost fancy how conspicuously she had contrived to carry this
overworked badge of the humanities, and the languid drawl of her voice
as she explained to her friends _en route_:
"So sorry I can't stop and chat. But, as you see, I'm running along to a
sick-room.... Oh no, nothing serious, I hope! Just my sister.... Mrs.
Ffinch-Brown? Oh, dear no! A younger sister. I don't think you know her.
She's had a great deal of trouble and hasn't been about much for a
number of years."
Mrs. Thomas Wynne had the trick of intrenching a stubborn family pride
by throwing back her head and daring all comers to uncover any of the
Carrol clan's shortcomings. But her selfishness had at least the virtue
of a live-and-let-live attitude that contrasted with the futile
aggressiveness of Mrs. Edward Ffinch-Brown. She asked Claire no
questions concerning her life or her prospects; she did not even pry
very deeply into the chances that her sister had for an ultimate
recovery. Her philosophy seemed to be founded on the knowledge that
uncovered cesspools were bound to be unpleasant, and, since she had no
desire to assist in their purification, she was quite content to keep
them properly screened. She came and deposited her wine jelly and patted
her sister's hand and went away again without leaving even a ripple in
her wake. As she departed she gave further proof of her insolent
insincerity by calling back at Claire:
"Remember, Claire, if there is anything I can do, just let me know."
Mrs. Ffinch-Brown's visit was scarcely more comforting, but decidedly
more exciting. She had not the suavity of her indifferences. Mrs.
Robson's untimely tilt with fate irritated her, and she took no pains to
conceal this fact.
"I suppose your mother is just as she's always been--a creature of
nerves," she said, as she dropped into a seat for a preliminary session
with Claire before venturing upon the unwelcome sight of her stricken
sister. "I don't know why it is, but she seems to be one of those people
who always has had something the matter with her. Poor Emily! Well, I
suppose we are all made differently."
When she entered the sick-room she found fault with the arrangement of
the bed, the manner in which the covers slipped off, the uncovered glass
of medicine on the bureau.
"You should braid your mother's hair, too. And why don't you pull the
window down from the top?"
Claire stood in sullen silence while her aunt vented a personal
annoyance on the nearest objects. But when Mrs. Ffinch-Brown's
ill-natured ministrations brought a dumb but protesting misery to the
sufferer's face, Claire found the courage to say, as gently as she
could:
"Why bother, Aunt Julia? Mother is really too sick now to care much
about appearances?"
Public-domain text, read in full here on John Shaqi.
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