If it seems in these stories that there is a recurrent note on the
necessity of artistic expression for the Old Country, the reason for it
is that we came from the Dominions to a land we all knew, because
English literature had made England our Mother-Country in the real
sense of the word. It is the hope of many of us that the artists of
Britain--whether they be writers, painters, or composers--will yet
realize that the Empire looks to them, as well as to the knights of the
air, to bridge the seas, and by their art make us feel as great a
kinship in peace as we did in war. Dickens and Burns were more than
writers; they were literature's ambassadors, and played no
inconsiderable part in empire-building.
Perhaps, as the study of ordinary people gripped by emotions which left
no one ordinary, this volume of stories may be of some little interest.
They filled many dull hours in the writing.... It would be a rich
reward for the author if he could think that they do away with a few
dull hours in the reading.
ARTHUR BEVERLEY BAXTER
CONTENTS
CHAPTER PAGE
I. THE BLOWER OF BUBBLES 1
II. PETITE SIMUNDE 97
III. THE MAN WHO SCOFFED 141
IV. THE AIRY PRINCE 191
V. MR. CRAIGHOUSE OF NEW YORK, SATIRIST 287
_The_ BLOWER _of_ BUBBLES
I
Snow was falling in Sloane Square, quarreling with rain as it fell.
Lamps were gleaming sulkily in Sloane Square, as though they resented
being made to work on such a night, and had more than a notion to down
tools and go out of business altogether. Motor-cars were passing
through Sloane Square, with glaring lights, sliding and skidding like
inebriated dragons; and the clattering hoofs of horses drawing vagabond
cabs sounded annoyingly loud in the damp-charged air of Sloane Square.
It was Christmas Eve in Sloane Square, and the match-woman, the vender
of newspapers, and the impossible road-sweeper were all exacting the
largesse of passers-by, who felt that the six-penny generosity of a
single night atoned for a year's indifference to their lot. People were
wishing each other a merry Christmas in Sloane Square, as they
struggled along under ungainly parcels. The muffin-man was doing an
enormous trade.
And I looked from my window and prayed for Aladdin's Lamp or the Magic
Carpet, that I might place a thousand miles between myself and Sloane
Square.
There was a knock at the door.
"Enter the Slave of the Lamp," said I, and the door opened to admit--my
landlady, Mrs. Mulvaney.
"Will you be dining in?" she said. Her Irish accent hardly helped the
illusion of the all-potent slave.
"And why not?" I asked.
"Ach, nothing, sor. I only thought----"
"An unwomanly thing to do, Mrs. Mulvaney."
"You're afther being a strange one, dining alone on Christmas Eve."
"Then join me, Mrs. Mulvaney."
Public-domain text, read in full here on John Shaqi.
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