As I approached her, I thought of the mortal peril she had been in the
other week. There seemed to me no more trace of it in her pale azure
eyes than there was of jealousy upon Bonnivet’s beaming face. For the
first, and, without doubt, the last time in my life, I was supplied with
positive information about a fashionable intrigue. Usually one does not
know the history of these fine gentlemen and beautiful ladies except
from a vague “they say.” A woman is suspected of having so and so for a
lover, and a man is suspected of having so and so as his mistress. This
suspicion, which to people of their class is equivalent to certainty, is
not reduced to exactness. The street and number of the house where they
meet is not known. It is not known under what circumstances they start
for the rendezvous. A door remains open to doubt, and if not open it is
ajar.
As I bowed to Madam de Bonnivet and received her greeting in the form of
an amiable commonplace, I could see this haughty head on the pillow in
the chamber of adultery, and the terror of her disturbed features when
the continuous ringing of the bell and the repeated knocking at the door
had warned her of her danger. The contrast was so sharp that for the
first time I understood the unhealthy attraction which this to some
extent double existence exercises over certain imaginations, and why
women or men who have tasted these sensations no longer find any relish
in others. Such profound and perilous deception procures something like
an evil intoxication, the pleasure of a really superior and almost
demoniac hypocrisy, to the man or woman who lie in that fashion. To this
kind of infernal falsehood belonged the phrase which Madam de Bonnivet
used to close our rapid and uninteresting conversation.
“There is some one who would not forgive me for detaining you any
longer,” she said, and the point of her fan indicated a direction which
my glance followed. I saw Camille Favier, whom at that moment Jacques
was approaching. “Go and speak to her,” she continued, “and tell your
friend Molan that I have a little commission for him while I think of
it.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account