I was prepared, on arriving that evening, to encounter much coolness in
this woman, who was depraved by coldness a coquette through egoism, and
curious even as regards vice through idleness. I had not even thought
the audacity of such a phrase addressed by her to me who knew everything
possible. In spite of my firm intention not to allow my impressions to
appear, she read my astonishment in my face. Her half-closed eyes darted
at me the most incisive look which has ever fathomed the soul of a man
to its depths. Without doubt, regarding her liaison with Molan, she
thought I had only one of those hypotheses, which I was unable to
verify, one of those hypotheses which grow around those so-called
mysteries, Parisian love affairs, and that I could not very well conceal
my deductions. The acuteness of her eyes became dulled into indulgent
irony, and I left her to obey the order she had given me, but in part
only. She had obviously calculated, with her habit of relying upon the
evil sentiments of her intimates, that I should be only too happy to
convey her message to Jacques in Camille’s presence, to make their
quarrel all the worse and put my friend in a somewhat false position.
She was to find out that a good fellow of a painter did not lend himself
to this pleasantry. I approached the two lovers as if the beautiful
enemy of the pretty actress had not entrusted me with any commission.
They were only exchanging, according to agreement, the most
indispensable polite phrases in a loud voice—
“Have you come to this corner of Bohemia, then?” Molan said, my presence
restoring his natural assurance to him; “it is quite natural that you
should.”
“Do not boast,” I replied in a tone of banter with a foundation of truth
to it similar to the one he affected. “It is a long time since you
passed as a man of the world.”
“Big words!” he said still gaily. “I am off. Don’t talk too much ill of
your friend Jacques, and do not monopolize her too much,” he added,
turning to me; “she must do a little flirting to be a success with the
men.”
He went away with the renewed desire, of which he had spoken to me,
shining in his eyes. Camille had bowed as he went without speaking, but
with a smile in which I, who knew her so well, could read so much
suffering and disgust. She fanned herself nervously, while I looked at
her with an emotion which I did not endeavour to conceal. We were in our
out-of-the-way corner like two outcasts, though our sorrowful
_tête-à-tête_ was very brief! Senneterre was already on his way towards
us from the other end of the hall with a young man who had asked to be
introduced to Camille. Those two minutes sufficed for us to exchange a
few phrases which redoubled my impression of danger. It had continually
increased ever since I had entered the house.
“So you are come,” the actress said, “thank you;” and in a supplicating
tone she added: “Do not leave me this evening, if you love me a little.”
“Don’t you feel well?” I asked.
Public-domain text, read in full here on John Shaqi.
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