Camille Favier had reappeared upon the stage. She had begun to act with
a happy grace which was changed into nervousness when the attendant
brought, according to the plan, into our box the sham letter from
Fomberteau. The actress missed her cue when she saw Jacques take a
pencil from his pocket, scribble a few words upon a card, then hand it
to me and leave the box. But the impostor was right. Her trouble as a
woman only intensified her playing as an actress. She suddenly ceased to
look in the direction of the box which her lover had left. The entire
strength of her being appeared to be concentrated in her part, and in
the great final scene very ingeniously borrowed from _La Princesse
Georges_, she displayed a power of pathos which roused the audience to a
delirium of enthusiasm. Only when she was recalled by an enthusiastic
audience and returned to bow did her eyes again turn to the box in which
I sat alone. She expressed in her look her pretty regret at being unable
to offer this triumph to her lord and master. As far as I was concerned
it was an artist’s pride in an artist. But her look was a supplication
to me not to go without speaking to her, and when the curtain fell for
the last time she came towards me without troubling about being seen by
her colleagues.
“What has happened?” she asked. “Where is Jacques gone?”
“He has left this card for you,” I answered evasively.
“Come into my dressing-room,” she said after looking at the card, “I
want to speak to you.” Her impatience was so keen that I found her
waiting on the stairs for me. She seized my arm at once.
“Is it true?” she asked me point-blank. “Is Fomberteau going to fight?
With whom? Why?”
“I don’t know any more than you do,” I replied still with the same
indefiniteness.
“Did he know that Jacques was at the theatre this evening? Had they an
appointment? Why did he not tell me about it? He knows how interested I
am in his friends, especially Fomberteau. He is such a loyal comrade and
so bravely defended 'Adéle’ and 'La Duchesse’! Don’t you see how strange
it seems to me?”
“But Jacques seemed as surprised as you are,” I murmured.
“Ah!” she said as she gripped my arm more lightly, “you are an
honourable man. You cannot lie very well.” Then in emotional tones she
said: “But you would not give your friend away; I know him too.” And
after a short silence she continued: “You live in the same direction as
myself, Jacques told me; will you wait for me and see me home?”
Public-domain text, read in full here on John Shaqi.
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