If I had still doubted the keen sentiment inspired in me by the charming
Camille, the doubt would have been swept away by the cruel emotion I
experienced at this cynical speech. I could see the reality of the drama
in which I was concerned as a witness; as in some duels the sight of a
life very dear to him in danger makes the second paler than the
duellist, Little Favier’s passionate love served Jacques as an attack
upon the vanity of the _blasé_ woman of the world who was coquettish and
coldly perverse without doubt, but also elegant, envied and rich, and
afterwards whom his vanity and curiosity attracted. The heart of the
poor little actress which had remained naïve and romantic in spite of
his disenchanting existence, her true heart—which I had felt to be so
true, which had opened with such spontaneity in an hour of inward
suffering—was about to be broken, torn and crushed between two prides
fighting one against the other—and what prides they were!
This most ferocious and implacable of all prides, that of an almost
great lady and an almost great author, both gangrened with egoism by
their habitual display, was withered by their constant and detestable
study of the effect produced, without which a person does not retain the
world’s uncertain prestige. By frightfully certain intuition, I at once
measured the depth of the abyss in which my friend of the previous
evening unknown to herself was plunged. The extreme clearness of this
vision prevented me answering Jacques with indignation, as he no doubt
expected and was prepared to amuse himself at my simplicity. He would
have chaffed me, and that would have annoyed me. He would have told me
in words what his enigmatic smile expressed. “If she pleases you so
there is a place for you to take at once as her consoler.” I can give
myself the credit for not using that ugly expression. But I lay claim to
no other merit. Is there any merit in not profaning in oneself an image
which only pleases when it is tender and pure? Strange though it may
seem to apply this word to a girl whom I knew to be the mistress of one
of my comrades, I respected in Camille that foolish illusion by which
her twenty-two years risked on a single card their precious treasure of
delicate dreams, naïve tenderness and noble chimeras. I respected in her
the dream which she had already made me dream.
Public-domain text, read in full here on John Shaqi.
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