Suddenly he stopped at mid-word, and broke off in the full flight of his
eloquence, as he saw something like a hand come and take down the top
brick from the face of paint which he had laid over the little door in
the palace-wall which Wio-wani had so beautifully painted. In another
moment there was no doubt about it; brick by brick the wall was being
pulled down, in spite of its double thickness.
The lecturer was altogether too dumfounded and terrified to utter
a word. He and all his apprentices stood round and stared while the
demolition of the wall proceeded. Before long he recognised Wio-wani
with his flowing white beard; it was his handiwork, this pulling down of
the wall! He still had a brick in his hand when he stepped through the
opening that he had made, and close after him stepped Tiki-pu!
Tiki-pu was grown tall and strong--he was even handsome; but for all
that his old master recognised him, and saw with an envious foreboding
that under his arms he carried many rolls and stretchers and portfolios,
and other belongings of his craft. Clearly Tiki-pu was coming back into
the world, and was going to be a great painter.
Down the garden-path came Wio-wani, and Tiki-pu walked after
him; Tiki-pu was so tall that his head stood well over Wio-wani’s
shoulders--old man and young man together made a handsome pair.
How big Wio-wani grew as he walked down the avenues of his garden and
into the foreground of his picture! and how big the brick in his hand!
and ah, how angry he seemed!
Wio-wani came right down to the edge of the picture-frame and held up
the brick. “What did you do that for?” he asked.
“I... didn’t!” Tiki-pu’s old master was beginning to reply; and the lie
was still rolling on his tongue when the weight of the brick-bat, hurled
by the stout arm of Wio-wani, felled him. After that he never spoke
again. That brick-bat, which he himself had reared, became his own
tombstone.
Just inside the picture-frame stood Tiki-pu, kissing the wonderful hands
of Wio-wani, which had taught him all their skill. “Good-bye, Tiki-pu!”
said Wio-wani, embracing him tenderly. “Now I am sending my second self
into the world. When you are tired and want rest come back to me: old
Wio-wani will take you in.”
Tiki-pu was sobbing, and the tears were running down his cheeks as he
stepped out of Wio-wani’s wonderfully painted garden and stood once
more upon earth. Turning, he saw the old man walking away along the
path toward the little door under the palace-wall. At the door Wio-wani
turned back and waved his hand for the last time. Tiki-pu still stood
watching him. Then the door opened and shut, and Wio-wani was gone.
Softly as a flower the picture seemed to have folded its leaves over
him.
Tiki-pu leaned a wet face against the picture and kissed the door in the
palace-wall which Wio-wani had painted so beautifully. “O Wio-wani, dear
master,” he cried, “are you there?”
He waited, and called again, but no voice answered him.
THE WAY OF THE WIND
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account