Getting into the Boarded-up House this time was accompanied by less
difficulty than the first. Before entering, Cynthia thoroughly dusted
the window-ledge and as far about it as she could reach, with the result
that there was less, if any, damage to their clothes. Armed as they were
with plenty of candles and matches, there were no shudders either, or
fears of the unknown and the dark. Even Cynthia was keen for the quest,
and Joyce was simply bursting with new ideas, some of which she
expounded to Cynthia as they were lighting their candles in the cellar.
"You know, Cyn, I've been looking at the place carefully from the
outside. We haven't seen a third of it yet,--no, not even a _quarter_!
There's the wing off the parlor toward your house, and the one off the
dining-room toward mine. I suppose the kitchen must be in that one, but
I can't think what's in the other, unless it's a library. We must see
these to-day. And then there's all up-stairs."
"What I want to see most of all is the picture you spoke of that hangs
in the parlor," said Cynthia. "Do you suppose we could turn it around?"
"Oh, I'd love to, only I don't know whether we ought! And it's heavy,
too. I hardly think we could. Perhaps we might just try to peep behind
it. You know, Cynthia, I realize we're doing something a little _queer_
being in this house and prying about. I'm not sure our folks would
approve of it. Only the old thing has been left _so_ long, and there's
such a mystery about it, and we're not harming or disturbing anything,
that perhaps it isn't so dreadful. Anyhow, we must be _very_ careful not
to pry into anything we ought not touch. Perhaps then it will be all
right." Cynthia agreed to all this without hesitation. She, indeed, had
even stronger feelings than Joyce on the subject of their trespassing,
but the joy of the adventure and the mystery with which they were
surrounding it, outweighed her scruples. When they were half-way up the
cellar steps, Joyce, who was ahead, suddenly exclaimed:
"Why, the door is open! Probably we left it so in our hurry the other
day. We must be more careful after this, and leave everything as we find
it." They tiptoed along the hall with considerably more confidence than
on their former visit, pausing to hold their candles up to the pictures,
and peeping for a moment into the curiously disarranged dining-room.
But they entered the drawing-room first and stood a long while before
the fireplace, gazing at the picture's massive frame and its challenging
wooden back. A heavy, ropelike cord with large silk tassels attached the
picture to its hook, and the cord was twisted, as if some one had turned
the picture about without stopping to readjust it.
"How strange!" murmured Cynthia. But Joyce had been looking at something
else.
Public-domain text, read in full here on John Shaqi.
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