That Stella was a born artiste all agreed--even her agent, that fat cigar-smoking Hebrew cynic who regarded all stage women as mere cattle out of whom he extracted commissions. To-day nobody can earn unusual emoluments in any profession without real merit assisted by a capable agent. Stella Steele was believed by all to be thoroughly British. Nobody had ever suspected that her real name was Drost, nor that her bespectacled and pious father had been born in Stuttgart, and had afterwards become naturalised as a Dutchman before coming to England. The cigarette-smoking male portion of the khaki-clad crowd who so loudly applauded her every night had no idea that their idol had been born in Berlin. Isaac Temple, the mild-mannered press-agent whom she employed, had always presented her, both to press and public, and sent those artistic photographs of hers to the Sunday illustrated papers, as daughter of a London barrister who had died suddenly, leaving her penniless. Thus had the suspicious connection with Drost been always carefully suppressed, and Ella lived very quietly in her pretty flat in Stamfordham Mansions, situate just off the High Street in Kensington. Her father--her English mother, whom she had adored, being long ago dead--lived a quiet, secluded life in one of those rather large houses which may be found on the south side of the Thames between Putney and Richmond. Pastor Drost had, it was believed by the Dutch colony in London, been a missionary for some years in Sumatra, and, on more than one occasion, he had lectured upon the native life of that island. Therefore he had many friends among Dutch merchants and others, who all regarded him as a perfectly honest and even pious, if rather eccentric, man. At times he wore big round horn-rimmed glasses which grossly magnified his eyes, giving him a strange goggled appearance. The world, however, never knew that Pastor Drost's only daughter was that versatile dancer who, dressed in next-to-nothing, nightly charmed those huge enthusiastic audiences in the popular revue, "Half a Moment!" Until three months after the outbreak of war Ella had regarded her father's idiosyncrasies with some amusement, dismissing them as the outcome of a mind absorbed in chemical experiment, for though none save herself was aware of it, the long attic beneath the roof of her father's house--the door of which Theodore Drost always kept securely locked--was fitted as a great chemical laboratory, where he, as a professor of chemistry, was constantly experimenting.