Reims (France) -- History; World War, 1914-1918 -- France -- Reims
THE CATHEDRAL OF NOTRE DAME
This magnificent church was begun May 6, 1211, the foundation stone
being laid on that date on the site of an earlier edifice burned in
1210. The work was pushed so rapidly that the choir was completed and
occupied September 7, 1241. The architect was Jean d'Orbais, to whom the
initial conception is due, and who continued in charge to 1231. He was
succeeded by Jean Le Loup (1231-1247), who completed the choir and about
1240 undertook the façade of the north transept. Gaucher de Reims
(1247-1255) apparently began the west portals towards 1255, before the
nave was completed. Bernard de Soissons (1255-1290) built the five west
bays of the nave and the great west rose window. He was succeeded by
Robert de Coucy, who died in 1311, to whom is attributed the towers and
the upper parts of the west front. The roof and upper parts of the
cathedral were heavily damaged by fire in 1481, but repairs were
speedily carried out. Restored several times in the nineteenth century,
new restorations were in progress until the time of the first
bombardment.
The cathedral is a vast and splendid church, with a nave of nine bays,
transepts with aisles, and a rather short choir, surrounded with five
chapels. There are no nave chapels. The decorations are of great
magnificence, the external sculptures, especially those of the great
west portals and the portals of the north transept, being most
elaborate, and including some of the finest mediæval sculptures in
France. The interior is noted for the arcaded screen applied to the west
end of the nave, surrounding the central doorway, consisting of a series
of niches with statues. The foliated capitals of the nave piers also
deserve mention. The glass of the windows, which suffered some
unfortunate changes in the XVIII century, was of extraordinary beauty
and interest, and ranked among the finest in France; most of it was
destroyed in the bombardment. The cathedral had a superb collection of
tapestries, fortunately removed to Paris before the fire. The Treasury
of the cathedral contained many rare and beautiful objects.
Notwithstanding the numerous and heavy bombardments to which the
cathedral has been subjected, the statue of Jeanne d'Arc by Paul Dubois,
erected in the open space before the cathedral (Place du Parvis) in
1896, has not yet been touched by shells. The sculpture of the west
front and of other exposed parts were heavily protected by sand bags
immediately after the first bombardment.
Palais Archiépiscopal
Public-domain text, read in full here on John Shaqi.
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