Man-woman relationships -- Fiction; Race relations -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Her presence at the charitable fete held by Madame la General at the
Hotel Dulac was her first response, in a social way to the invitations
of her Parisian acquaintances. A charity one might support without in
any way committing oneself to further social plunges. She expected to
feel shy and strange; she expected to be bored. But since Maman wished
it so much--!
There is nothing so likely to banish shyness as success. The young
Marquise could not but be conscious that she attracted attention,
and that the most popular women of the court who had been pleased to
show their patronage by attendance, did not in the least eclipse
her own less pretentious self. People besieged Madame Dulac for
introductions, and to her own surprise the debutante found herself
enjoying all the gay nothings, the jests, the bright sentences
tossed about her and forming a foundation for compliments delicately
veiled, and the flattering by word or glance that was as the breath
of life to those people of the world.
She was dressed in white of medieval cut. Heavy white silk cord was
knotted about the slender waist and touched the embroidered hem. The
square neck had also the simple finish of cord and above it was the
one bit of color; a flat necklace of etruscan gold fitted closely
about the white throat, holding alternate rubies and pearls in their
curiously wrought settings. On one arm was a bracelet of the same
design; and the linked fillet above her dark hair gleamed, also, with
the red of rubies.
It was the age of tarletan and tinsel, of delicate zephyrs and
extremes in butterfly effects. Hoop-skirts were persisted in, despite
the protests of art and reason; so, the serenity of this dress,
fitting close as a habit, and falling in soft straight folds with a
sculpturesque effect, and with the brown-eyed Italian face above it,
created a sensation.
Dumaresque watched her graciously accepting homage as a matter of
course, and smiled, thinking of his prophecy that she would be
magnificent at twenty-five;--she was so already.
Some women near him commented on the simplicity of her attire.
"Oh, that is without doubt the taste of the dowager; failing to
influence the politics of the country she consoled herself with an
attempt to make a revolution in the fashions of the age."
"And is this sensation to illustrate her ideas?" asked another. "She
has rather a good manner--the girl--but the dress is a trifle
theatrical, suggestive of the pages of tragedies and martyred
virgins."
"Suggestive of the girl Cleopatra before she realized her power,"
thought the artist as he passed on. He knew that just those little
remarks stamped her success a certainty, and was pleased accordingly.
The dowager had expressed her opinion that Judithe would bury herself
in studies if left to herself, perhaps even go back to the convent. He
fancied a few such hours of adulation as this would change the ideas
of any girl of nineteen as to the desirability of convents.
Public-domain text, read in full here on John Shaqi.
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