The Book-Bills of Narcissus: An Account Rendered by Richard Le GallienneLe Gallienne, Richard
General
The Book-Bills of Narcissus: An Account Rendered by Richard Le Gallienne
Le Gallienne, Richard
Fiction
But the disinclination goes not, though the poor passion has, of
course, its occasional leapings in the socket, and the pain has to come
at last, for all that dainty consideration, which, moreover, has been
all the time feeding larger capacities for suffering. For, of course, no
man thinks of marrying his twelfth love, though in the thirteenth there
is usually danger; and he who has jilted, so to say, an earl's daughter
as his sixth, may come to see
'The God of Love, ah! benedicite,
How mighty and how great a lord is he'
in the thirteenth Miss Simpkins.
But this is to write as an outsider: for that thirteenth, by a mystical
process which has given to each of its series in its day the same primal
quality, is, of course, not only the last, but the first. And, indeed,
with little casuistry, that thirteenth may be truly held to be the
first, for it is a fact determined not so much by the chosen maid as by
him who chooses, though he himself is persuaded quite otherwise. To him
his amorous career has been hitherto an unsuccessful pursuit, because
each followed fair in turn, when at length he has caught her flying
skirts, and looked into her face, has proved not that 'ideal'--
'That not impossible she
That shall command my heart and me'--
but another, to be shaken free again in disappointment. In truth,
however, the lack has been in himself all this time. He had yet to learn
what loving indeed meant: and he loves the thirteenth, not because she
is pre-eminent beyond the rest, but because she has come to him at the
moment when that 'lore of loving' has been revealed. Had any of those
earlier maidens fallen on the happy conjunction, they would, doubtless,
have proved no less loveworthy, and seemed no less that 'ideal' which
they have since become, one may be sure, for some other illuminated
soul.
Of course, some find that love early--the baby-love, whom one never
marries, and then the faithful service. Probably it happens so with the
majority of men; for it is, I think, especially to the artist nature
that it comes thus late. Living so vividly within the circle of its own
experience, by its very constitution so necessarily egoistic, the
latter, more particularly in its early years, is always a Narcissus,
caring for nought or none except in so much as they reflect back its own
beauty or its own dreams. The face such a youth looks for, as he turns
the coy captured head to meet his glance, is, quite unconsciously, his
own, and the 'ideal' he seeks is but the perfect mirror. Yet it is not
that mirror he marries after all: for when at last he has come to know
what that word--one so distasteful, so 'soiled' to his ear 'with all
ignoble' domesticity--what that word 'wife' really expresses, he has
learnt, too, to discredit those cynical guides of his youth who love so
well to write Ego as the last word of human nature.
Public-domain text, read in full here on John Shaqi.
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