And thus we conclude our procession of royal children with a child of the people. Beginning with Richard II., a portrait of a king rather than a child, we end with a picture in which childhood merely, without the gift of distinction or the glamour of royalty, suffices to charm a great painter's eye and inspire his thought. With the sweetness and grace of modern childhood filling our eyes, may we not well close this children's book? INDEX 'Adoration of the Lamb,' 56-59 Adoration of the Magi, treatment of, 33 'Age of Innocence,' 171 _Alice in Wonderland_, 2 'All-pervading,' the, 196 Animals, painting of, 142 Antonello of Messina, 67-69 Art, definition of, 4 Atmosphere, 10 treatment of by Dutch School, 139, 140 by Holbein, 139 by Velasquez, 156 Beauneveu, Andre, of Valenciennes, 43 Bellini, Giovanni, 98, 102 Black Death, influence of, 41 Botticelli, 70-77, 145 influence of, on Burne-Jones, 191 Brett's 'Val d'Aosta,' 192 _et seq._ Burne-Jones, 190 _et seq._ Byzantium, influence of, 19 Turkish conquest of, 20 'Chaos,' 196 Charles I. employs Rubens, 143 employs Van Dyck, 147 painted by Velasquez, 157 Charles II., 131 Charles V., King of France, 40 Charles V., Emperor, 153 Chillon, Castle of, 11 Churches, medieval grandeur of, 14 Cimabue, Vasari's account of, 24 picture in National Gallery, 25 picture in Santa Maria Novella, 25 training of Giotto, 27 Civilization, definition of, 9 Claude Lorraine, 181-183 Constable, 180 Correggio, 91 Crome, Old, 178 Cuyp, 138-142, 180 'Dido building Carthage,' 182 Don Balthazar Carlos, 154 _et seq._, 160 _et seq._ Douglas, Lady Alfred, 75 Dragons, fear of, 12 Duke of Gloucester, 170-171 Durer, 106-107 compared with Holbein, 113 Dutch expansion in the seventeenth century, 117 'Dweller in the Innermost,' 196 Edward the Confessor, story of, 32 Edward Prince of Wales, 111-115 Eighteenth century, artificiality of, 168 Erasmus, 109-110 portrait of, 114 Etching, process of, 127 Fighting _Temeraire_, 176 _et seq._ Francis of Assisi, life of, 17, 21 Franciscans, foundation of the order of, 22 'Fresco' painting, 39 Gainsborough, 173 _et seq._ Garden of Eden, 95 Giorgione, 94-98, 140 Giotto, 27, 28, 35, 50 'Golden Age,' 95-98, 142 Goldsmith, 174 Greeks, influence of, 10, 65 Henrietta Maria, 149 Henry VIII., 109 _et seq._ employs Holbein, 110 portrait of, 114 Hobbema, 141, 178 Hogarth, 166 _et seq._ Holbein, 102-115, 139, 151 'Erasmus' in collection of Charles I., 147 Holman Hunt, 190, 191 Horne, Herbert P., 74 Hubert van Eyck, 46 _et seq._, 140 Hulin, Dr., 49 Il Penseroso, 83 Impressionism, beginning of, 162 Infanta Marguerita, 161 _et seq._ James II., 149 Jerusalem Chamber, 18 view of, taken in 1486, 49 Joachim, portrait of, 195 John, Duke of Berry, 40, 42, 53 John, King of France, 40 John van Eyck, 60 compared with Durer, 107 Josse Vyt, 58 Julius II., Pope, 88 'Knight's Dream,' 78, 82-86 L'Allegro, 83