Velasquez, 153-164 compared with Reynolds, 169 influence of, 193 Venice, influence on Turner, 180, 185 influence of on Venetian artists, 93 _et seq._ Veronese, 102 Watts, 195-197 Whistler, 192 _et seq._, 193 William the Silent, 116, 146 William II. of Orange, 146-152 William III., 146 Wood-cutting, process of, 127 Wool industry, importance of, 41 THE END _Printed in Great Britain_ by R & R. CLARK, LIMITED, _Edinburgh_. _UNIFORM WITH THIS VOLUME_ _EACH_ 5s. _NET_ AESOP'S FABLES ANDERSEN'S FAIRY TALES ARABIAN NIGHTS BUNYAN'S PILGRIM'S PROGRESS GRIMM'S FAIRY TALES SWISS FAMILY ROBINSON TALES FROM "THE EARTHLY PARADISE" JOHN HALIFAX, GENTLEMAN COUNT OF MONTE CRISTO UNCLE TOM'S CABIN BOOK OF CELTIC STORIES BOOK OF EDINBURGH MR. MIDSHIPMAN EASY BOOK OF LONDON BOOK OF THE RAILWAY _EACH_ 6s. _NET_ TALES OF ENGLISH CASTLES AND MANORS TALES OF THE COVENANTERS SCOTT'S TALES OF A GRANDFATHER (ABRIDGED) THE BOOK OF SCOTLAND THE BOOK OF STARS WITH COMMODORE ANSON A. & C. BLACK, LTD., 4, 5, & 6 SOHO SQUARE, LONDON, W.1 _New York_ THE MACMILLAN COMPANY _Melbourne_ THE OXFORD UNIVERSITY PRESS _Cape Town_ THE OXFORD UNIVERSITY PRESS _Toronto_ THE MACMILLAN COMPANY OF CANADA _Bombay Calcutta Madras_ MACMILLAN AND COMPANY, LTD. HOW TO ENJOY PICTURES By J. LITTLEJOHNS, R.I., R.B.A., R.C.A., R.B.C., R.W.A. With 8 full-page illustrations in colour, one in black and white, and 43 constructional drawings in the text. _Small Crown 4to._ 6/- net (_By post, 6/6_) Mr. Littlejohns explains very simply and pleasantly a method of approach to pictures intended for those who have no knowledge of them and no trained sensibility.[1] The book deals simply and briefly with many of the considerations involved in composing a picture, and gives an analysis, illustrated by diagrams, of nine well-known masterpieces. The author does his work very well, and no one who reads carefully what he says and carries out his instructions can fail to find added interest if not also keener enjoyment in the contemplation of pictures.[2] Mr. Littlejohns writes, not only with the artist's intuition, but with the clearness and simplicity derived from his experiences as a teacher of children.[3] The colour reproductions are excellent and could not be bought separately for the price of the whole book.[4] [Footnote 1: _The Times Literary Supplement_.] [Footnote 2: _Scottish Educational Journal_.] [Footnote 3: _The Church Times_.] [Footnote 4: _Monthly Notes of the National Society of Art Masters_.] BLACK'S DICTIONARY OF PICTURES A GUIDE TO THE BEST WORK OF THE BEST PAINTERS EDITED BY RANDALL DAVIES _Demy 8vo._ 3/6 net (_By post, 4/-_)