In making the annexed sketch we presume that Mr. Seymour must have had in mind, and intended to illustrate by "modern instances," that class of "wise saws" such as "Birds of a feather flock together," "Tell me the company, and I will tell you the man," and others which tend generally to show that men are apt to catch the hues of surrounding objects, and take the features of their associates. If this was not his design, we have only the alternative conclusion, that he had drawn turkeys till he could draw nothing else, and till his best efforts at representing "the human face divine" resulted in what the Scotch call a "bubbly-jock." Some poet, in describing the perfections of his mistress's countenance, speaks of it as conveying the impression that she "had looked on heaven, and caught its beauty." Our friend the guard of this coach seems to have looked on those turkeys of which he has charge till he has "caught their beauty." It is impossible to conceive that the breath which he is pouring into that horn of his should issue in any other form of sound than that of a gobble. The coachman is clearly a turkey in disguise; and the old-looking figure that sits behind him, with something like a sausage round its neck, is probably his father. As for the swan with two necks that floats on the panel of the coach-door, it is a strange-looking bird at any time, but looks considerably more strange in its present situation. It is unquestionably out of place, and forms no fitting cognizance for a Norfolk coach at Christmas time.